THE GARIFUNA COLLECTIVE arrive in London on September 28th at The Nest Collective armed with a new album ‘Ayó’.


Six years have elapsed since the release since Andy Palacio & The Garifuna Collective’s 2007 masterpiece ‘Wátina’ and it’s taken that amount of time for the Collective to recover from the passing of Palacio, a tireless cultural activist and their charismatic leader, who was prematurely snatched from us aged 47. The name of the new album,’Ayó’ – which translates as “Goodbye” – says it all.

In a recent communique from Cumbancha’s ever enthusiastic Jacob Edgar who, along with producer Ivan Duran, introduced the world to the music of the Garifuna community, he says, “In concert, The Garifuna Collective is truly spectacular. They toured the US and Canada this summer and blew people away. The members of The Collective have taken on the responsibility of keeping the unique Garifuna music alive and thriving, and they bring a sense of community, joy and respect to every performance. It really is a magical and memorable experience.”

Whatever Cumbancha’s Jacob Edgar says, I’m down it. I first came across the Garifuna by accident when photographer Peter Williams and myself attended a festival in Rennes in France. One evening we found ourselves in a mind numbing cavernous sports hall being swept up by the vocals, acoustic guitars and hand drums rhythms of an ancient looking Paul Nabor and his associates. We had discovered Paranda – the music of the Garifuna, a unique community who reside along the coast of Central America.

Indeed, the tale of the Garifuna people has always been one of triumph over tragedy. The history of the Garifuna begins when two large Spanish ships, filled with a delivery of West African slaves, sunk off the coast of the Caribbean island of St. Vincent in 1635. Half of the Africans survived and intermingled with the indigenous Caribs of the region, creating a new hybrid culture. Fiercely independent, the Garifuna community resisted European colonization, fought a determined yet ultimately losing struggle against the British military in 1796 but were forcibly exiled to the Caribbean coast of Central America, settling in Belize, Guatemala, Honduras and Nicaragua. The Garifuna have long struggled to maintain their unique language, cultural traditions and music and today’s Garifuna Collective exists to keep it alive.

Deck Jam! Pic: P. Rokassy

Deck Jam! Pic: P. Rokassy

Ivan Duran, who produced the very first Paranda album and the new album, ‘Ayó’  says “We are going back to the core values of the project, which is to present Garifuna music to the world, not in a traditional way, not in a museum, but as a living musical form. When you listen to the record you feel that spirit of being in the village with everybody singing along, everybody being a part of a song, not following a single singer or star.”

That said, he also maintains that ‘Ayó’ has a much more modern sound that ‘Wátina’ and that this album sounds like it was made by a band: “There’s a group spirit that comes across more clearly then ever before.”

There always a back story or two with the Garifuna. In addition to Palacio’s sad passing, the Collective lost two other members in the last five years. The much beloved maraca and turtle shell player Giovani “Ras” Chi was shot and killed in Belize City while Justo Miranda passed away alone after a heart attack under a tree in Honduras.

It was Miranda who penned ‘Seremei Buguya’, the closing track on ‘Ayó’ which expresses sorrow at Palacio’s death – “but at least you went out like a king. When I die, not many people will care.” Ironically, it was many weeks after his death that his band mates in Belize even heard the news.

The album

The album

On a more positive vibe is the story of Desiree Diego, the singer and maraca player with the Collective. According to Ivan Duran, “She never in her wildest dreams imagined she would be a singer in a band. All she knew was that she loved music, and that she had learned traditional songs from her grandmother. She liked to sing, and she had been singing since she was small, accompanied by drums, never a melodic instrument. When she started she had absolutely no idea how to sing in tune with stringed instruments. I remember a few disasters on stage but everybody was very supportive and said listen, ‘Try it again.’ One day I told Des she needed to do more than just sing, she had to also pick an instrument, a maraca, a turtle shell, a clave. She picked the maraca and to this day she is my favorite maraca player in the world.”

It’s stories like that of Desiree’s which communicates their organic sense of openness and community. The global success of ‘Wátina’ has helped instill a sense of self-pride amongst both old and young in the Garifuna community and ‘Ayó fearlessly takes on Andy Palacio’s mission of cultural innovation. It reveals a deep well of Garifuna musical… so, book your ticket to their only London performance today!

Tickets can be purchased here:–ceilidh-liberation-front-netil-house/

‘Ayó’ is out now on Cumbancha/Stonetree

Link to the Facebook event:

About Paul Brad

Freelance journalist / Publisher / Editor - Straight No Chaser magazine / Editor - L FM : Broadcasting In A Pandemic - Gilles Peterson (Worldwide FM) / Publisher: From Jazz Funk & Fusion to Acid Jazz: A History Of The UK Jazz Dance Scene by Mark 'Snowboy' Cotgrove / Music Fan: Interplanetary Sounds: Ancient to Future / Cultural Event Consultant & Activist / Nei Jia practitioner
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