All hail the ‘Lions Of Judah’ at the Steve Reid Foundation tonight!

Been a bit hectic, so I’ve been a touch slack on ancient to future. However, tonight… Monday 12th December…. we are  celebrating the launch of the forthcoming vinyl only single ‘Lions of Judah’ by emanative & Ahmed Abdullah. Brownswood and Gilles Peterson are hosting a very deep ‘n’ funky charity dinner and launch party with all profits going to the Steve Reid Foundation.

So, for me, all roads lead to The Londesborough in Stokie.  There’ll be a few faces in the house, a live set from the lovely Zara McFarlane + a few tunes + the Deep Jazz Quiz concocted by GP and I-self.

I might even pop that Quiz up on the blog tomorrow… until then, as Steve Reid would have said, “Stay in the rhythm!’

Posted in Deep stuff | Leave a comment

‘SLEEP’…. No. 4 from THE ROOTS… ‘Undun”.

CHECK the post THE ROOTS: ‘Undun’… a ghetto symphony… the story so far! to watch ‘Tip The Scale’, ‘Stomp’ and ‘Make My” from this radical quartet of short films. It was Posted on November 16, 2011 under Words Sound & Power

Posted in Words, Sound & Power | Tagged , , , , , , , | 1 Comment

The Valley Spirit: Lindsay Wei’s Story Of Daoist Cultivation

As I am partial to reading about journeys, spiritual journeys, like Sun Shuyun’s Ten Thousand Miles Without  A Cloud or Bill ‘Red Pine’ Porter’s Road to Heaven  or O.M. Burke’s Amongst The Dervishes, I was most enthused to discover that  Alex Kozma’s Line of Intent imprint has just published The Valley Spirit: A Story of Daoist Cultivation.

Penned by a young Chinese American, Lindsay Wei, we embark upon a journey to the White Horse Mountain, on the westerly edge of Wudang.  Amid the swirling mists and under the tutelage of Li Shi Fu, a hermetic Daoist priest, who has renounced the world of “red dust”, she immerses herself in the internal martial arts, healing, medicine, alchemy and meditation.  This is book that promises not just a glimpse into the re-emergence of Daoism in China today but some deep insights into the struggle between earthly desires and heavenly knowledge.

The Valley Spirit is unique. This is a woman’s story. It is a search for an identity and it’s the combination of Gnostic texts, the Gospel of Mary Magadalene, the Seven Powers , Guan Yin and the teachings of the Dao De Jing that propel her towards the light. As she puts it, “I was walking in the dark asking which way to go” and this book gives an intimate account of a journey towards enlightenment that is inevitably tainted by sexuality, age and upbringing.

Reading this book I thought of Jade Fox in Hidden Dragon Crouching Tiger, abused and embittered by her experiences at Wudang and her woman warrior counterpart, Yu Shu Lien, who yearns for the love of master  swordsman Li Mu Bai. Each involved a complicated web of experiences and emotions. Anyone engaged in spiritual or martial practices knows that the search for that teacher, who can provide the guidance you seek, is difficult at the best of times and the experience for a woman is often different to that of a man.

However, despite the pain and fear and confusion she experiences along the way she eventually finds a spiritual home. She draws on the strengths of other women who have embarked upon the same path and with guidance from her enigmatic teacher, Li Shi Fu, a modest foundation has been laid.

Today, her journey continues and as she says, “I am a young woman in what is also a world of wonder, where multitudes of souls full of compassion linger untapped. And we are warriors if we continue to battle the self, the ego and desire.”  Lindsay Wei believes we live in a world where the potential is unlimited and the infinite knowledge of the ancients is there if only we seek it out . She declares that she knows “nearly nothing” but one day she will hui feng dao – return on the wind! Until then she will continue to grind the stone and maybe, in the future, we will be privileged to read another illuminating and thought provoking chapter in her journey along The Way.


To buy a copy of Lindsay Wei’s The Valley Spirit send a Paypal order to

kozma108@gmail.com

Cost inc P&P: UK £14-50, Europe £15-60, Rest of the World  £17-30

Other info: http://thevalleyspirit.wordpress.com/

 

Posted in Deep stuff, Wushu | Tagged , , , , , , , , , , , | 1 Comment

A TUESDAY NIGHT PRAYER MEETING…

Last night found me sitting in a half lotus  – had to make a bit of an effort! – in the midst of evening prayers before the five shrines which house the sacred deities in the Shri Swaminarayan Mandir.  The impressive and normally silent room, which is constructed solely from Italian and Bulgarian marble, its pillars adorned with gods like Ganesh, all hand carved by skilled Indian artisans, was filled with rhythmic chants. As the monks of the temple prostrated themselves candles were lit and passed around those gathered.  I gladly cupped my hands to the flames and pressed the Wisdom offered to my eyes and temples.  It was a good beginning to the evening.

This was my first visit to the Mandir, one of several, equally lavish Hindu temples that have been constructed around the world. A stone’s throw from the hectic traffic of London’s North Circular it is truly a sight to behold – it’s as if an Indian national monument has been dropped into Neasden from outer space. As an invitee to this inter-denominational event organized by the Hindu Christian Forum – an organization that will be officially launched today at St James’ Palace under the auspices of the Archbishop of Canterbury and Shri Shruti Dharma Das Ji –  I was made most welcome and my somewhat awkward questions readily answered. It did seem something of a mystery as to how such  imposing and ornate places of worship had come about when its founder, Shri Swaminarayan, as a youth – as a yoga practicing sadhu – had wandered the length and breadth of India barefoot and with no possessions at all, initially rejecting involvement in any institutions.

Maybe it’s my passion for music or the discipline and rhythm of practice one embraces in martial arts that draws me to explore the ascetic pathways to enlightenment. However, as I’m neither Christian nor Hindu but a spiritual and politically conscious person I recognize the astronomical body count that exists a result of centuries of conflict between organized religions and the threat of violence that still exists today. So, an exchange of knowledge and beliefs, a practical coming together, no matter how small, has to be for the good when aiming to defuse global conflicts or day to day racism.

At the helm of this event was one Kate Wharton, an assistant to the Archbishop Of Canterbury and a former Straight No Chaser scribe.  A deep and spiritual asset to the Chaser posse  it was Kate who went to live in Alice Coltrane’s ashram in California, and on this night she and I had joined forces to  enlist Swifty to do the artwork and composer/clarinetist Arun Ghosh to provide the music for this gathering. Basically, it was a coming together of people over platters of vegetarian food while being immersed in sound and melodies  that echoed the Arun’s travels around the sub-continent from Kerala to the Himalayas.

Born in Calcutta but growing up in Bolton, Arun is a new generation musician, inspired by incredibly diverse diverse musics of India and Pakistan but attuned to the continuum of jazz and naturally steeped in dance music and club culture. On this night his quintet took us on a journey via his South Asia Suite and judging by the immediate and spontaneous applause that greeted each composition a deep connection had been made.
In essence, the gathering was simple in concept and the formalities faded into the background overshadowed by the relaxed but spiritual dimension of the exchange – a dimension that was clearly heightened by the music which, as one enlightened speaker affirmed, speaks directly to the soul.

So, if music is – as the late Albert Ayler maintained – the healing force of the universe, let’s put our hands together and pray for more occasions where we can break bread or a couple of popadoms and listen to sounds that can transport us to another spiritual plane.

Arun Ghosh’s latest album  ‘Primal Odyssey’ is out now on comoci records.

Posted in Deep stuff | Tagged , , , , , , , , | 3 Comments

A Pilgimage To The Tomb Of The Unknown Craftsman

A couple a weeks ago I passed through the Grayson Perry’s show, The Tomb Of The Unknown Craftsman, at the British Museum and was quietly blown away.

I knew little about this man except that he had notched up a Turner Prize, enjoys dressing up (more Bo Peep than RuPaul) and is a ceramicist.  I had never seen his work and was not aware that Perry was loathed by certain critics who maintain a man who makes pots cannot be crowned a great artist. Neither was I in the know about his relationship to his teddy bear, one Alan Measles, the god of his imaginary world.

So, I entered into  The Tomb Of The Unknown Craftsman somewhat naive but with an open mind. At the entrance to the show was the extraordinary, customized Kennilworth AM1 motorcycle on which he and Alan Measles had apparently journeyed to Bavaria. Their conciliatory mission was one  of peace and friendship. It was  intended to lay to rest the duo’s aversion to all things German due to a youth spent  immersed in World War 2 comic  books  – a quest I immediately identified with.

The Rosetta Vase, 2011. © Grayson Perry.

Once inside, it was apparent that a British Museum curator with a bit of vision had allowed Perry free access to their most incredible vaults – 8 million items!  For two years he rifled through the archives and selected  around 170 objects purely on what touched him. Inspired by what he’d discovered, he then set about creating his own pieces – some of which inevitably feature Alan Measles in various splendid incarnations which sit comfortably alongside each other engaging in a spirited and quirky  conversation that criss-crosses the globe and toys with time.

The exhibition is a pilgrimage to generations of people, unknown people, who created and made things. Incredible, fascinating, confusing, mystical, mind boggling things,  from Malian fetish objects to magic nails. One wall is graced by a fantastical tapestry map with the British Museum at the heart of it, created by Perry.  It’s a journey filtered through Perry’s vision which is informed, intuitive and not lacking in humour. Sometimes it’s hard to know what is his and what’s not – which is definitely consistent with with his playful approach toying with experienced reality, truth and beliefs.

Above: top l: Grayson Perry at work / Top r: A Stonehenge Badge  Bottom: A selection of Egyptian Statuettes

A Boli figure or power figure from Bamana, Mali

By the time I’d reached the final leg of the journey, my head was swimming and the artist’s metaphorical piece de resistance,  a cast iron boat embossed with resonant and potent images from the collection and carrying a 250,000year old flint axe head, pretty much sailed silently by.  The tired cynic in me was throwing up images of the Time Bandits and so, I took my leave. That said,  I may have to return another time especially as I have since gained further insight into the ways of this maverick artist and craftsperson.

Check the man out:  http://www.bbc.co.uk/iplayer/episode/b016ycnn/Imagine_Winter_2011_Grayson_Perry_and_the_Tomb_of_the_Unknown_Craftsman/

Posted in Deep stuff | Tagged , , , , , | 1 Comment

SPATIAL A.K.A.: A Night To Remember!

Spatial A.K.A. … London Jazz Festival… I don’t know if this will work but here’s the notes I was prompted to scribble during what turned out be an extraordinary and incredibly inspiring three hour concert…

Cacophony of Horns.  Weaving though the audience. Spatial A.K.A.  Masked, cloaked, blowin’, beating drums, shaking percussion.  Jerry Dammers – hooded in black and playing an offbeat melodica.  Onstage:   ‘Frownland’…. “my smile is stuck in your Frownland”…  Anthony Joseph is joined by Edgar Broughton …  a memory from the Sixties and the ghost of the Captain (Beefheart). Projected: People-less landscapes of Turner nominated Coventry artist George Shaw.  Duke Ellington’s ‘Blue Pepper’ from the ‘Far East Suite’.  Big band heaven! An Andrew Hill composition… alto sax… WOW! Nathaniel Facey – A Star. The Strings!  Jerry: “From the sublime to the ridiculous…” Library music:  vibes, bata drums  – Bro. Spry… Sixties “jet set” sounds.  Special guest… all the way from Jamaica… Johnny Clarke…  ‘Blood Dunzer’ (Pablo Moses tune!). Bless-ed. Track from Anthony Joseph LP – ‘Generations’. DEEP Dammers arrangement. Coltrane’s ‘Naima’…”it’s about broken love”… Francine Luce… brilliant gold mask black feathers… haunting version – it’s in French.  Jason Yarde solos… funky little soprano sax. More library music. Circus Parade – trained Bears?? Nine horns… top players… ShabakaFinn Peters comes with a tiny flute, thumping rhythm… drum frenzy. New reggae composition by Jerry D. Magnificent arrangement… roots… Johnny Clarke… “The first victim of war, always the poor”… reality! Another Library comp. by Christian somebody – a German dude… ‘Medium Pop’.  Images of concrete Sixties modernism… Eastern Europe… Berlin… HEAVY GROOVE! Jerry D: Conductor… dangerous synth renegade. ‘Serendipity’ – a film. Made in the 70s. “You can all gargle to this…”. ‘Ghost Town’  – alternative lyrics by Jerry D delivered by A. Joseph. Next:  Sun Ra: ‘I’ll Wait For You’. Love this! Played this at first A.K.A gig.  QEH. Dedicated it to his dad… just passed. This time: Francine’s dad just died… “In some far place, many light years in space… I’ll wait for you”…. abstract dreams… wonderful.  Who’s the keys player? Alcyona Mick? Who is she?  Amazing…. Bolt upright & hands – a blur of activity. ‘Mode For DD’…  The Awakening… FINN… Next cut: William S. Fisher ‘Chains’. Images: slavery… bondage.  Powerful, moody… resonant strings… Denys Baptiste again… wow… shades of Trane…  so underrated… all these players… so underrated. Intense. FREE–DOM JAZZ LIVES!   “A song about struggle…”… JC – dreadlocks down to the ground… ‘Peace In the Ghetto…”  Harry Brown. Trombone. Robin Hopcraft. Trumpet. SKA. Big band ska … Tommy McCook’s ‘Samson’… pure power. Roger B vibes… kettle drum solo. Dancers give up. Finally… “well, almost”… Sun Ra… “on the dark side or maybe on the bright side”…  Larry Stabbins.. blazing… they leave as they came.  Strings continue. Finn Peters and Jason Yarde remain. Beautiful! Lights are up. They’re in the foyer. Mobbed! Everyone’s high… space is the place!

Posted in Is That Jazz? | Tagged , , , , , , , , , , , | 1 Comment

DUB LP OF THE MONTH: DUB COLOSSUS – ‘DUB ME TENDER Vol.1’

Tired of people saying, “Great band but there’s not a lot of dub is there?”, Nick Page, the droll multi instrumentalist behind the Euro- Ethio collision that is Dub Colossus, decided, “That’s it!  I’m going into the studio to cut a classic dub LP and it’s gonna be on green vinyl!”

WOMAD 2011 provided the target release date for the Dub Colossus second studio LP ‘Addis through the Looking Glass’ and ‘Dub Me Tender Vol. 1’ as the 12 piece band were scheduled to play there. It seemed like a perfect plan but their record label, Real World – the folks at the heart of WOMAD – greeted the concept of a vinyl dub album, to compliment the release of the CD, with more than little head scratching. At that point, Page had no option but to organise the release of the vinyl album on his own label, Yeka Sub City Recordings with an associate, Ian Wallace.

Nick Page aka Dubulah is renowned for pursuing his passions and the first pressings of ‘Dub Me Tender Vol. 1’, on heavy duty green vinyl, did appear at WOMAD and at some shows since it has outsold their CDs by a mile. A second volume is in the making but before we can get our hands on that there will be a CD, released in the spring on Real World, entitled ‘Dub Me Tender Vol. 1 & 2’. A red vinyl (!) Volume 2 will drop shortly after featuring some bad bwoy exclusives.

Growing up in Finsbury Park, this radical Greek-Londoner, was schooled in the cosmic adventures of Sun Ra and dubwise sonics of Lee ‘Scratch’ Perry from an early age, and this album is a radical addition to an honourable UK tradition perpetuated by the likes of Dennis ‘Blackbeard’ Bovell, Mad Professor and Jah Shaka.

In fact, it is undoubtedly the first Dub LP which is based on actual songs played and co-written by Ethiopian musicians and featuring Ethiopian instruments. That said there’s are also a playful version of ‘Uptown Top Ranking’ aka ‘Negus Dub’ – which is a highlight of their live set – and an excellent cut of the Abyssinians’ classic ‘Satta Masagana’ aka ‘Yeka Dub’ which features Samuel Yerga’s terrific Ethio-infused keys.

For me, ‘Dub Me Tender’ is an album that organically resides alongside the works of saxophonist and Light Of Saba founder, Cedric ‘Im’ Brooks. Over 8 tracks, it bubbles along sweetly and I’d love to hear it played on a serious sound system like Jah Shaka, Channel One or Abba Shanti.

The rydimic foundation is totally grounded, there are are deft percussive touches and the harmonica solo on ‘Uptown Top Ranking’ reminded me of one Julio Finn. There’s some sweet flute on ‘Falling In Dub Again’ and overall, the horn section is terrific. Let’s face it, trombone and dub go together like rice and peas!

Even the label is incorrect… how authentic is that? So, if a slug of wayward instrumental dub is your tipple, seek out a copy of this LP – all individually numbered and pressed up on audiofile 180 gms heavy vinyl.

You can purchase ‘Dub Me Tender’ from http://womadshop.com/detail/622.

Also from HMV, Amazon etc. 

Listen to excerpts of vinyl at http://www.dubcolossus.org

Posted in Words, Sound & Power | Tagged , , , , , , , , , , , | Leave a comment

Sweet Baadasssss Melvin Van Peebles & Occupy!

Coinciding with famed film director Melvin Van Peebles lending his voice to the Occupy Wall Street Movement is the rumour that the radical OG was “the first African American trader on the floor at the Wall Street Stock Exhange.”

Personally, I’m not convinced of the latter but who knows with a man who has done everything from driving a San Francisco cable car to recording with Madlib and playing live with Greg Tate’s Burnt Sugar.

This is  a man who, with a  $50,000 loan from Bill Cosby, produced, wrote, directed, edited, scored and marketed his own film – Sweetback’s Baadasssss Song – which grossed more than $10 million. That makes it one of the most successful black indie films of all time.

Melvin Van Peebles is a man who likes to make shit happen and he’s cool about his 1971 song ‘Love That’s America’ – from his first Hollywood film Watermelon Man – being  used by various OWS promotional videos circulating on the web now.

Check this & Fight The Power!

Tune to  #OccupyWallStreet : The Roots, Kanye, Russell Simmons, Talib Kweli, Q-Tip, Moby, Angelique Kidjo, Baaba Maal, and so many more stand with the 99%. 

Posted in Follytricks! | Tagged , , , , , , , | 1 Comment

THE ROOTS: ‘Undun’…. a ghetto symphony… the story so far!

OK… watch out ’cause the force that is The Roots are back on the block with vengeance.  For four Tuesdays up to December 6th, the release date for the heavily anticipated ‘Undun’ album, The Roots are releasing gritty black and white videos that deal with individual takes on the joint. ‘Undun’  is “the story of a kid who is a criminal, but wasn’t born a criminal. He’s not the nouveau exotic primitive “bug-eyed” gunrunner… he’s actually thoughtful and neither victim nor hero. Just some kid who begins to order his world in a way that makes most sense to him… “ and judging by the story so far we can expect a masterpiece, a ghetto symphony that mirrors these troubled times.

Posted in Words, Sound & Power | Tagged , , , , , , , | Leave a comment

Spatial A.K.A @ the London Jazz Festival…. Anthony Joseph & The Spasm Band….

JAZZ FESTIVAL TIME and I’m looking forward to the latest performance from Jerry Dammers’ always inspiring Spatial A.K.A… next up has to be the double header of Steve Coleman: Reflex & Steve Williamson + Pat Thomas (Queen Elizabeth Hall: Friday 11 November 2011, 7:30pm)… that will be deep! So will the Ethnic Heritage Ensemblewho connect the worlds of futuristic improv with the ancestral rhythms of Africa. Leader Kahil El’Zabar (who has performed with the likes of Nina Simone, Stevie Wonder, Henry Threadgill, among others), saxophonist Ernest Dawkins and trumpeter extraordinaire Corey Wilkes are at the Pizza Expess on Saturday 12 November (7.30). 21st century Griot music! Other sessions in the diary include Robert Glasper (XOYO) , Charles Gayle + Hann Bennink (Vortex), Archie Shepp & Joachim Kuhn (Barbican), Robert Mitchell: Panacae (Charlie Wrights) , Shabaka Hutchins (the Forge), The Necks (Bisopsgate Inst.), Julie Dexter (Pizza Express), Henry Threadgill: Zooid (QEH), Ornette Coleman (QEH), Hermeto Pascoal (Barbican), Arun Ghosh (Clore Ballroom & London Maritime Museum), Adriano Adewale (606), Cleveland Watkiss (Blackheath), Katya Sourikova (Baltic), Matt Halsall (Barfly), McCoy Tyner feat Chris Potter & Jose James (Barbican), Seaming To + Leon Mitchener (Forge), Steve Swallow & Carla Bley…… Phew!

Fulll info: http://www.londonjazzfestival.org.uk/events?page=1&list_search=&order_by=start_datetime&sort_direction=ASC

AND… this Friday Koichi Sakai presents at the Empowering ChurchAnthony Joseph & The Spasm Band plus DJ… Jerry Dammers. Essential!

Posted in Is That Jazz? | Tagged , , , , , , , , , | Leave a comment