SOON COME! The Professor: Tai Chi’s Journey West

zheng-manqing-sword

The Professor: Tai Chi’s Journey West is a feature documentary about Tai Chi and one of its greatest masters, Cheng Man-Ching, a man who brought Tai Chi and Chinese culture to the West during the swinging, turbulent 60’s. This documentary film tells his remarkable story and features Tai Chi as a martial art and a spiritual practice.

Looking forward to seeing the film on the big screen! Master Cheng’s short form was the first taijiquan form I learned back in the late 70s/early 80s and vividly recall, myself, Simon Cousins and Steve Judges, being hyped at the opportunity to see those then closely guarded 16mm films which would arrive in London carried by one of Master Cheng’s zealous New York City disciples.

“The Professor” premieres in Los Angeles on May 6 and in New York City on June 9.

cheng man ching sword play

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PAPA WEMBA RIP- VIVA LA MUSICA

I have fond memories of interviewing Papa Wemba at the Real World studios in Box while Peter Williams did the shots. Papa was wearing a wikkid trad-African print suit when we arrived but refused to be photographed in it. In line with his role as SAPEUR Numero Uno he switched into Designer mode. I also have powerful memories of a stunning afternoon gig in small but classic Parisian theatre – hardly anyone there but a spectacular session. So, this is how I like remember Papa Wemba – sharing the vocal honours with Reddy Amisi and Stino Mubi…. nice clip… Viva la Musica!

Papa Wemba (14 June 1949 – 24 April 2016)

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WAYNE & HERBIE: TALKIN’ LOUD & SAYING SOMETHING!

After decades of both collaboration and mutual respect, jazz legends Wayne Shorter and Herbie Hancock have penned an extraordinary and thought provoking open letter to the next generation of artists. It reflects their feelings on recent world events and how they visualise a response. Referring to events in Paris, Syria and terror attacks at home in the U.S. the pair have co-written an extensive manifesto which is set out below:

Herbie Hancock & Wayne Shorter

Herbie Hancock & Wayne Shorter

To the Next Generation of Artists,

We find ourselves in turbulent and unpredictable times.

From the horror at the Bataclan, to the upheaval in Syria and the senseless bloodshed in San Bernardino, we live in a time of great confusion and pain. As an artist, creator and dreamer of this world, we ask you not to be discouraged by what you see but to use your own lives, and by extension your art, as vehicles for the construction of peace.

While it’s true that the issues facing the world are complex, the answer to peace is simple; it begins with you. You don’t have to be living in a third world country or working for an NGO to make a difference. Each of us has a unique mission. We are all pieces in a giant, fluid puzzle, where the smallest of actions by one puzzle piece profoundly affects each of the others. You matter, your actions matter, your art matters.

We’d like to be clear that while this letter is written with an artistic audience in mind, these thoughts transcend professional boundaries and apply to all people, regardless of profession.

FIRST, AWAKEN TO YOUR HUMANITY

We are not alone. We do not exist alone and we cannot create alone. What this world needs is a humanistic awakening of the desire to raise one’s life condition to a place where our actions are rooted in altruism and compassion. You cannot hide behind a profession or instrument; you have to be human. Focus your energy on becoming the best human you can be. Focus on developing empathy and compassion. Through the process you’ll tap into a wealth of inspiration rooted in the complexity and curiosity of what it means to simply exist on this planet. Music is but a drop in the ocean of life.

EMBRACE AND CONQUER THE ROAD LESS TRAVELED

The world needs new pathways. Don’t allow yourself to be hijacked by common rhetoric, or false beliefs and illusions about how life should be lived. It’s up to you to be the pioneers. Whether through the exploration of new sounds, rhythms, and harmonies or unexpected collaborations, processes and experiences, we encourage you to dispel repetition in all of its negative forms and consequences. Strive to create new actions both musically and with the pathway of your life. Never conform.

WELCOME THE UNKNOWN

The unknown necessitates a moment-to-moment improvisation or creative process that is unparalleled in potential and fulfillment. There is no dress rehearsal for life because life, itself, is the real rehearsal. Every relationship, obstacle, interaction, etc. is a rehearsal for the next adventure in life. Everything is connected. Everything builds. Nothing is ever wasted. This type of thinking requires courage. Be courageous and do not lose your sense of exhilaration and reverence for this wonderful world around you.

UNDERSTAND THE TRUE NATURE OF OBSTACLES

We have this idea of failure, but it’s not real; it’s an illusion. There is no such thing as failure. What you perceive as failure is really a new opportunity, a new hand of cards, or a new canvas to create upon. In life there are unlimited opportunities. The words, “success” and “failure”, themselves, are nothing more than labels. Every moment is an opportunity. You, as a human being, have no limits; therefore infinite possibilities exist in any circumstance.

DON’T BE AFRAID TO INTERACT WITH THOSE WHO ARE DIFFERENT FROM YOU

The world needs more one-on-one interaction among people of diverse origins with a greater emphasis on art, culture and education. Our differences are what we have in common. We can work to create an open and continuous plane where all types of people can exchange ideas, resources, thoughtfulness and kindness. We need to be connecting with one another, learning about one another, and experiencing life with one another. We can never have peace if we cannot understand the pain in each other’s hearts. The more we interact, the more we will come to realize that our humanity transcends all differences.

STRIVE TO CREATE AGENDA-FREE DIALOGUE

Art in any form is a medium for dialogue, which is a powerful tool. It is time for the music world to produce sound stories that ignite dialogue about the mystery of us. When we say the mystery of us, we’re talking about reflecting and challenging the fears, which prevent us from discovering our unlimited access to the courage inherent in us all. Yes, you are enough. Yes, you matter. Yes, you should keep going.

BE WARY OF EGO

Arrogance can develop within artists, either from artists who believe that their status makes them more important, or those whose association with a creative field entitles them to some sort of superiority. Beware of ego; creativity cannot flow when only the ego is served.

WORK TOWARDS A BUSINESS WITHOUT BORDERS

The medical field has an organization called Doctors Without Borders. This lofty effort can serve as a model for transcending the limitations and strategies of old business formulas which are designed to perpetuate old systems in the guise of new ones. We’re speaking directly to a system that’s in place, a system that conditions consumers to purchase only the products that are dictated to be deemed marketable, a system where money is only the means to an end. The music business is a fraction of the business of life. Living with creative integrity can bring forth benefits never imagined.

APPRECIATE THE GENERATION THAT WALKED BEFORE YOU

Your elders can help you. They are a source of wealth in the form of wisdom. They have weathered storms and endured the same heartbreaks; let their struggles be the light that shines the way in the darkness. Don’t waste time repeating their mistakes. Instead, take what they’ve done and catapult you towards building a progressively better world for the progeny to come.

LASTLY, WE HOPE THAT YOU LIVE IN A STATE OF CONSTANT WONDER

As we accumulate years, parts of our imagination tend to dull. Whether from sadness, prolonged struggle, or social conditioning, somewhere along the way people forget how to tap into the inherent magic that exists within our minds. Don’t let that part of your imagination fade away. Look up at the stars and imagine what it would be like to be an astronaut or a pilot. Imagine exploring the pyramids or Machu Picchu. Imagine flying like a bird or crashing through a wall like Superman. Imagine running with dinosaurs or swimming like mer-creatures. All that exists is a product of someone’s imagination; treasure and nurture yours and you’ll always find yourself on the precipice of discovery.

How does any of this lend to the creation of a peaceful society you ask? It begins with a cause. Your causes create the effects that shape your future and the future of all those around you. Be the leaders in the movie of your life. You are the director, producer, and actor. Be bold and tirelessly compassionate as you dance through the voyage that is this lifetime.

Wise words from two masters who have lived a life to reflect upon. Pass their message on to that new generation! PB/Ancient To Future

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IS THAT JAZZ? Larry Young, Kalaparusha, Pat Patrick & The Baritone Saxophone Retinue, Jaimeo Brown….

Whaoah! I seem to have a lot of catching up to do as, sitting by the hi-fi, there’s a small mound of recent releases that deserve a few words…. Larry Young, Kalaparusha, Pat Patrick & The Baritone Saxophone Retinue, Jaimeo Brown….

LarryYoung ORTF

OK… gonna try and keep each one short if possible….so, kicking off is the Larry Young ‘In Paris’ double CD – a set of previously unreleased recordings that Resonance records discovered in the vaults of the world famous RTF/ORTF vaults in France. This is a serious exercise in crate digging that may just be the tip a musical iceberg.

Of that generation of early 60’s Hammond B3 players, Larry Young is, for me, the most free and exhilarating. His ‘Into Something’ LP on Blue Note is a classic and this set follows in its wake. These slammin’ recordings are built around a quartet led by the very excellent Nathan Davis on tenor, a stunning 21 year old Woody Shaw on trumpet and drummer Billy Brooks who shift combinations to include a group of Paris based musicians including drummer Franco Manzecchi, pianists Jack Dieval & Jacques B Hess, tenor-man Jean Claude Fohrenbach and excellent Guadeloupean conga player “Jacky Bamboo”.

This double CD set comes with a fat little booklet of extensive notes and photos and the music itself is completely compelling. Writing credits go to Nathan Davis (‘Trane Of Thought’), Larry Young (‘Talking about JC’ – a blinding 15 minute version) ), Woody Shaw (Beyond All Limits’), Jack Dieval (La Valse Grise’ – another expansive 16 minute journey!) and Wayne Shorter (‘Black Nile’ – which is handled beautifully by the quartet over 14 glorious minutes).

The free spirit of Trane resides in all these recordings but when the infectious, hard-swinging grooves these musicians deliver does kick in this music is guaranteed to up the vibe on the dancefloor of any hard core jazz dance session. Basically, Larry Young is deep… Woody Shaw is amazing… and if you’re vibed on mid Sixties Blue Note era jazz – this set is VITAL!

Pat Patrick

Next up is Pat Patrick and his Baritone Saxophone Retinue – ‘Sound Advice’ which has just been released via the excellent Art Yard imprint. Originally released via Sun Ra’s El Saturn label in 1977 this 8 baritone sax ensemble + flutes, bass, piano, drums and congas is joyful listening. The ensemble was initiated by Arkestra veterans ‘Pat’ Patrick and Charles Davis and made their first appearance at a tribute to Duke Ellington’s majestic baritone sax player Harry Carney. The music/arrangements on ‘Sound Advice’ reflects that legacy – it’s a set that’s steeped in the tradition. It’s great to have both Latin maestro Mario Rivera and 70’s/80’s baritone pioneer Hamiett Bluiett in the mix. The quality of the recordings might not be sup-dupa but they are what they are. As Pat Patrick says in the notes the album he dedicates “these sounds to the great pioneers (in the idiom) of Baritone Saxophone” and I suggest you just turn up the volume on the hi-fi and tune in. (Big thanx to James Gilbert for turning me on to this LP!)

After a lot of detective work I finally tracked down a copy of Kalaparusha Maurice McIntyre‘s final recording – ‘Musical Blessing’. One of the first posts I did on Ancient To Future was devoted to a deeply moving documentary by Danilo Parra called ‘The Untold Story Of Kalaparusha’ and in it the saxophonist gets the test press of an album he’s just recorded and reflects with some surprise that he sounds like Coltrane. After Kalaparusha passed away, I tried in vain to find the album with no joy but more recent enquiries revealed it was released by a label called Creative Improvised Music Projects (CIMP) and available via Cadence in NYC. So, I bought a copy! Recorded in over two days in January 2010 in the Spirit Room in NYC and featuring two bassists – Michael Logan and RaDu Ben Judah, drummer Warren Smith and Kalaparusha on tenor sax, this album is a raw but deeply engaging trip into what people now define as ‘Spiritual jazz’. Physically, Kalaparusha wasn’t in great shape when he made this record, long term drug usage had taken its toll but despite the odd reed problem his playing is as reflective as ever. From the opening cut of ‘Mystical Blessing’ you are dropped into one deep session that takes us through nine compositions that include the drum and tenor duet of ‘Southside Loop’ and a rendition of Trane’s ‘Impressions’. This might just be an album for devotees but I’m glad I finally got engage with the final musical journey of a man who’s other offerings have have generated much joy.

KALA

ABOVE: Kalaparusha Maurice McIntyre RIP

Jaimeo Transcendence jpgOn a different tip comes Jaimeo Brown’s second offering in his ‘Transcendence’ series- ‘Work Songs’. This is a new generation offering that parallels the increasingly challenging works of Matana Roberts. The liners notes commence with the sentence: “Throughout history, human beings have chanted, hummed and sung their way through the drudgery of labour. These sounds are the living tapestry of our human way.” Along with his co-writer /co-producer, Chris Sholar, Jaimeo Brown combines modern technology and the artistic sensitivities of a generation schooled on hip hop with the the “forgotten voices of coal miners, southern prisoners, gandy dancers, stone masons and cotton pickers”. ‘Work Songs’ is rooted in the African American experience but makes global connections to workers elsewhere via Indian vocals and samples from Smithsonian/Folkways recordings from Japan. Jaimeo also embraces samples recorded from the building site opposite his apartment and as a drummer he readily responds to the pulse of those lost voices and sounds. He even strays into the rhythmic terrain of drum’n’bass but overall there is a filmic quality to his compositions which remains underpinned by the warm resilience of global humanity. One of my top albums of the last 12 months.

Chris Sholar & Jaimeo Brown

Chris Sholar & Jaimeo Brown

To be continued! More reviews to come… Snowboy, Inner City, Comet Is Coming, United Vibrations….

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Hockney, Saltaire, Salvo’s & A Taste Of Puglia

Hockney, Saltaire & A Taste Of Puglia – a journey into the heart of Yorkshire.

Salts Mill - Saltaire

Salts Mill – Saltaire

T’other weekend we boarded a local train from Leeds town centre for Saltaire. After a short 15-20 minute journey we stepped off the train and emerged from the station into a UNESCO World Heritage site! The formerly tee total, Yorkshire stone, model Victorian village of Saltaire was built strictly for the 3000 workers employed in the vast woollen textile mill that was constructed by industrialist Titus Salt to take advantage of the Leeds Liverpool canal and railway. Today, Salts Mill – which you might recognise from the painting above – houses cafes and restaurants, art supplies and book shops and a vibrant collection of David Hockney’s current art work.

david-hockney-the-arrival-of-spring-in-woldgate,-east-yorkshireWhile original Hockney’s are to be found dotted around the building it’s on the 3rd floor that we find ‘The Arrival of Spring’ – an uplifting collection of 49 large inkjet prints originally drawn on his ipad as reflections on the changing seasons in the Yorkshire dales. Hockney has always embraced technology and his use of the Brushes app on the ipad is pretty mindblowing. His palette of colours verge on the florescent while his “brush” strokes are bold and quite abstract. There is an enticing sense of depth which combines with powerful contrasts of light and shade in all the work. We are drawn into a landscape that is gradually bursting into life and not surprisingly, when all seen together, these prints are quite exuberant. I love the fact that David Hockney just gets out there, wind and rain, fag on the go, i-pad or canvas on an easel. The man produces! There’s a genuine and tangible energy at work that makes you feel good and happy that you’d made the journey.

H spring dble

Hockmey Spring jpg

Going to Saltaire also gave me the opportunity to catch up with Shipley/Saltaire’s resident salsero, Lubi Jovanovic. A former Straight No Chaser columnist and co-founder of that Leeds based DJ trio – The Dig Family, Lubi still DJ’s and promotes live sessions both sides of the Pennines. Over a cappuccino he tells me he’s still buying and had just picked up a copy of Archie Shepp’s ‘On This Night’. However, it’s the latest salsa/reggaeton that fuels the dancefloor of his weekly Cuban Party in Manchester.

Interestingly, Lubi’s mother worked in Salts Mill post World War 2. As a kid, Lubi had passed through the huge rooms that once housed the relentless looms and describes the experience as deafening and overwhelming . While Hockney’s paintings seem to reclaim the local landscape and present it in different light,  Salts Mill itself documents and retains a valuable slice of our own history. As you wander across the worn wooden floors in the gallery you can’t help but imagine those who trod those boards before us. Titus Salt built the mill – a cathedral of industry – and the houses that surrounded it. He owned it all, including the workforce. There was no doubt that his workers were better off in Saltaire than those in the back to back slums of Leeds or Salford but I couldn’t help noticing in the historical timeline of the mill that his response to a spate of strikes was to simply lock out the whole workforce.

Nunzia Dammone - Gip & John's mum!

Nunzia Dammone – Gip & John’s mum!

Just as Lubi Jovanovic’s parents settled in Yorkshire after there war so did the parents of Gip Dammone and his brother John. Gip, along with Lubi was a co-founder of the Dig family. His mother and father, Nunzia and Salvo, arrrived in Leeds from Sicily and commenced introducing Yorkshire folk to the culinary delights of southern Italy. The was an ice cream parlour where Gip had the top job of stocking the juke box. There was the private members club and discotheque, Blues Gardinia, which hosted live jazz and R&B and a shady poker game in the back room, and then there was Salvo’s. And after Saltaire that’s where we were heading!

Back in 2010, I turned on the TV only to witness Gip Dammone in the kitchen, battling out with other chefs from around the UK, on Gordon Ramsey’s The F Word for ‘Best Neighbourhood Italian Restaurant in Britain’. Lo and behold, out of 600 contestants, Salvo’s nabbed the prize of ‘Numero Uno’ to add to a host of other awards they’ve won. Respect is indeed due. Six years later, on the eve of Valentines Day, we arrive at Salvo’s to find the restaurant booked to capacity. Forunately, we’d booked into Salvo’s Salumeria & Cafe next door for the 10 course Puglia Regional evening.

Chris, Gordon, Gip

Chris, Gordon, Gip

Like myself, Gip is man who collects vinyl, enjoys an array of headwear, sports an Imperial and enjoys a bit of banter. Though he planned only to hang out in the salumeria for a couple of courses the vino began to flow and as we demolished the Puglian nibbles, the Aquasala (twice baked frise bread with pomodorini tomatoes and oregano) and the delicious Fave e Pane Fritto (broad bean pure and fried country bread) Gip’s infectious enthusiasm grew.The man eats with gusto and as he greeted and chatted with his regulars he was clearly settled in for the session.

Polpo e Patate

Polpo e Patate

His son Salvo appeared from the kitchen as the aubergines stuffed and baked with pecorino and soft black olives arrived on our table. Salvo’s is a family affair. A spicey red onion and orange salad with Mediterranean anchovies was followed by Polipetti Lessi – a salad of boiled and dressed octopus and, potatoes and red pepper. Nice! The wine and conversation flowed only to be halted by “little ear pasta with greens, capers and anchovy served with “Holy Oil” and ‘poor man’s cheese'”.

The accumulation of tapas size servings were proving to be more than enough just as a plate of tender and juicy, locally reared lamb with peas arrived. Luckily, that signaled an end to the flow of savoury dishes and offered the promise of Torta alla Ricotta and an espresso.

salvos bookThroughout the evening, we were given little insights into the contents and preparation of each dish by Gip and it all added to the array flavours we were experiencing. The food that comes out of the kitchen at Salvo’s remains a labour of love and I couldn’t resist walking away on the night with a copy of their self produced hardback – ‘My family & Other Italians: The Salvo’s Story’. The book which gives further insight into the family’s journey and is punctuated by a selection of their classic recipes.

Salvos - The Boys: r to l: John, Gip & Salvo

Salvos – The Boys: l to r: Leon, Salvo, Gip & John

All in all, we had a truly life affirming day in Yorkshire. We enjoyed the artistry of a gay, nicotine addicted Bradford painter, the musical insights of a jazz and Latin DJ with Serbian roots and the culinary delights of Puglia from an Italian rooted family who are devoted to innovation and tradition (sounds like jazz!). You’ve got to love the cultural diversity and the energy it can deliver. For me, as a day goes, it said something about the Britain we will live in and what makes us who we are. What do you reckon?

Pesce'In Umido'

Pesce’In Umido’

More Info:
http://www.saltsmill.org.uk

www.salvos.co.uk/ – The book is £16.95 and available from the restaurant or salumeria or on-line (I think!).

PS: Thank to Gail Dammone for the hospitality and coming up with the Mega-Bus!

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MAURICE WHITE 1941 – 2016: Derf Recklaw pays TRIBUTE to force behind Earth, Wind & Fire

MAURICE WHITE 1941 -2016: Derf Recklaw pays TRIBUTE to the force behind Earth, Wind & Fire

Maurice White - RIP (center)

Maurice White – RIP (center)

After reading Richard Williams’ memories of meeting the recently departed Maurice White on his excellent Blue Moment site I thought I’d give a more permanent home to the homage paid on Facebook by an early collaborator and comrade, California based multi-instrumentalist Derf Recklaw. I discovered this tribute to the man behind the seminal Earth Wind & Fire through the Black Rock Coalition co-founder Greg Tate and it gives a rare personal insight into the musical life of a musician coming into his own among a community of radical, conscious musicians in Chicago, who were aligning themselves to both Africa and the Cosmos. Read on.

“Good morning everyone. Peace, Blessings and Love to All. I haven’t spoken too much about the great Maurice White, who made his transition a couple of days ago. He was part of a spiritual connection that began with a band of musicians from Crane Jr. College on the Westside of Chicago . They were called the Kingsmen. They won the Downbeat festival award in Indiana and after that Maurice and other band members Don Myrick,Charles Handy and Lui Lui Satterfield and later Pete Cosey and Master Henry Gibson became studio musicians at Chess records.

Aside from studio work this band came to be known as Chuck Handy and the Pharaohs. People would see a line of Mercedes-Benz going down the street to their gigs. I remember walking down 43rd street and seeing the Mercedes lined up and hearing the music coming out of venue. After Eldee Young and Red Holt left the Ramsey Lewis trio, Cleveland Eaton and Maurice White were the replacements.

Verdeen & Maurice in Egypt

Verdeen & Maurice in Egypt

Chuck Handy and the Pharaohs joined Kelan Phil Cohran’s Artistic Heritage Ensemble. Brother Phil made African thumb pianos (Lukembi, Sansa, Mbira ). Upon seeing Phil play the thumb piano, Phil amplified the instrument and called it a “Frankiephone”, Maurice took up the instrument. Chuck Handy and the Pharaohs became engrossed with the wisdom and knowledge of Egyptolgy and modal approach to music expression. I joined Kelan Phil Cohran’s Artistic Heritage Ensemble in March of 1968. Brother Phil left the AAFRO-ARTS Theater in September of 1968 and the majority of the band remained to form what was called The Pharaohs. Brother Charles Handy ask me to be a part of the band.

Pharoahs10

Maurice embraced the Spiritual concepts that we had as a band. He formed a band called the Salty Peppers and I sang on their first record ‘La La time’. Earth (Don Whiteheard) Wind (Wade Flemons) Fire (Maurice White). Also no water in his astrology chart. We always talked when we saw each other. He would always say, “You got a birthday coming.” He remembered my birthday and I his. We were always cool. I knew most of his family. When my band Ship Of The Desert was in the studio recording, his brother Ron, an engineer at P.S.Studios in Chicago, sent some of my songs to Maurice to hear. He told me, “You know I have to keep up with what your doing. You are a whole show by yourself.”

Derf Recklaw

Derf Recklaw

I’m thankful to still be part of that musical connection. There are only a few of that connection still alive. Earth,Wind and Fire became the number one Black band in the world. A band with Dignity and Class. R.I.P.”

http://thebluemoment.com/2016/02/05/maurice-white-1941-2016/

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SOUNDS OF HAITI 2016: Lakou Mizik – The Trailer

Lakou Mizik – The Trailer has arrived!

On April 1st 2016, Cumbancha Discovery will release the debut album from Haitian roots-revival band Lakou Mizik. Following their triumphant performance at GlobalFest in NYC the ensemble ignited a wave of interest and a rave review from the New York Times. Lakou Mizik came together after the devastating Haitian earthquakes of 2010 and their members span both generations and genres. They draw on the rhythms of Vodou, embrace rap, incorporate the horns of rara carnival music and underpin their the soaring distinctive harmonies and call and response vocals with exultant dance grooves. To get a deeper insight into the story behind this unique coalition of Haitian singers and players check the lovely video below.

Watch this space for a few more words on the album.

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YEAR OF THE FIRE MONKEY – February 8, 2016

Year of the Fire Monkey—February 8, 2016

monkey king jpg

I have to confess that I’m somewhat addicted to visiting the Plum Publications website – a treasure trove of a martial arts information/resources run by California based teacher and practitioner Ted Mancuso and his partner Debbie Shayne. Their Kaimen blog-page is where you can tune in and read a review and, if you so wish, buy the latest offerings – on film or in book form – from a host of accomplished martial artists around the world. It’s also the focus for discussion and thoughts on various styles and practices. It’s the place where you can find Jack Yan’s excellent translations of Chen Zheng Lei’s writings on Chen taijiquan or Adan Hsu’s in depth DVD series’ on Ba Ji Thunder, The 5 Elements of Xing Yi Quan or the legendary San Cai Sword. The site naturally offers their own Plum Exclusives where Ted commits his own learning and teaching experiences in the arts of Bagua Zhang, 10 Road Tan Tui, Spear, Staff, Shaolin Cane, Qi Gong et al to DVD.

As the Chinese New Year beckons Plum enlisted Narrye Caldwell- a Doctor of Traditional Chinese Medicine, classical feng shui consultant, martial artist, and practitioner of Chinese Pole Star astrologyto give us a fascinating and enlightening lowdown on the year to come.

I’ve re-blogged it below with the hope of spreading the word. So, over to over to Ted Mancuso to make the introduction: “Our resident astrologer, Narrye Caldwell,  makes no predictions for this unpredictable Monkey Year. Remember though, this is Chinese Astrology – a completely different animal, so to speak.”

monkey 1“Back in November several friends told me they were sure they already felt the effects of the coming Monkey year. I insisted that this was impossible, that Chinese astrology doesn’t work that way, it was too soon, and there is no such thing as “creeping Monkey,” or “shades of the Monkey to come.” But the stories of strange and confounding challenges kept coming in—nothing that could be called a crisis, just frustrating annoyances that bordered on the humerous. Things like finding half way through the day that you’re in an important meeting with high level executives at work and you notice you’re wearing one red sock and one green sock. Or you picked up your room mate’s keys on your way out and find yourself scrambling around on your lunch hour trying to rectify the mistake and set things right for your very irritated friend.

So around about December, I revised my position and admitted that this departure from the expected course of things was exactly like Monkey qi. How like the Monkey to sneak into the party incognito, peer into windows, and play some unexpected tricks on the guests just to get things going and create some fun.

Welcome to the Year of the Fire Monkey, which technically begins on February 8, 2016. (The Chinese Lunar New Year always begins on the second new moon after the winter solstice, in case you were wondering why it’s on a different date every year.)

There are two significant energetic shifts that will effect everyone this year. The first is that we’re moving into a Fire year after two Wood years. Wood is growth, enthusiasm, the innocence of youth and the pursuit of a vision. Wood qi is fresh and unformed. It has the drive to break through barriers, but it lacks wisdom and refinement, so can sometimes be unstable and reckless. Fire qi is the full expression of Wood’s vision. Fire brings forth the rose, lays the paint on the canvas, and gives voice to the song that’s been forming in the depths of your heart. Fire is intense, passionate, and calls forth our need to connect with one another. In a Fire year, no longer satisfied with the pursuit of our dreams, we now can bring things into actuality. And as we see things manifest, we want to gather with our tribe, raise a glass and celebrate.

But it’s important to remember that nothing is solid yet and there’s much to be done. In fact, the danger now is getting so excited by the brilliance of the flame you’ve created, that you forget to tend it properly and it quickly burns out for lack of enduring and consistent fuel. Fire is erratic and difficult to control. It can flicker precariously, burst into a dangerous conflagration, or settle into a nice steady hearth fire depending on how it’s managed. So that’s your first task this year—whatever you’ve created during the last two years, treat it now like precious tinder; protect it and blow on it very gently to nudge it into a nice steady flame; feed it with long burning fuel that will last. Don’t throw fast burning paper onto it just for the dazzling but short lived burst of heat and flame. Slow and steady now, will get you a more enduring result.

Now, what about that second energetic shift? Enter the Monkey

The key to grasping the qi we’re all going to be surfing can be found in the Chinese classic novel of the 16th century “Journey to the West.” One of the famous characters in this legendary tale is the Monkey King who demonstrates a combination of pluck, bravery, scandalous irreverence, ingenuity, ruthlessness, and magic to assure his status as one of China’s epic folk heroes. The Monkey King was born from a stone, learns the ways of immortality, commits a series of crimes against the gods, steals the peach of immortality from the Empress’s garden, and catalyzes a terrible war between Heaven and the Monkey Army. In the end, he is sent to accompany a famous monk and his disciples to the western kingdom to fetch back a Buddhist sacred text. All sorts of magical adventures ensue over the course of four volumes.

The point here is this is the qi flavor of the coming year. Key words are: erratic, irrepressible, ingenious, clever, unpredictable, resourceful, adventurous, selfish, magical, quixotic, amoral. In other words, keep your wits about you because anything, absolutely anything, can happen. All manner of apple carts could be turned over in the most surprising ways. This will be a test of your ability to stay calm and unruffled in the face of relentless and unexpected challenges. But remember—on the other side of chaos is magic and transformation. Be brave and keep your sense of humor; never forget that there’s spiritual gold at the end of the tale.

How you handle the coming year is largely a matter of harmonizing your own nature with this Monkey qi. The Monkey King was famous for his secret powers and magical weapons, one of which was a staff that he could shrink to the size of needle and hide in his ear. My advice is to conjure your own secret powers, (yes you each have at least one,) and think of yourself as the hero of your own myth. What part do you play in this year’s adventure? What’s your strategy? How resourceful can you be? Learn to see magic everywhere.

monkey

Here are some tips for each of the animals.

Rat: You are in the Monkey’s inner circle, a favorite accomplice who knows how to play the game. Your super power is analysis and planning. The Sheep year was a bit strained because people didn’t appreciate your fine eye for detail and your need to check everything for accuracy. But this year, your careful attention to strategy will be seen as the essential wisdom behind the Monkey’s irrepressible inventiveness. Without you, none of these daring schemes could possibly work. This is your year to be the hero of the story.

Ox: Your super power is endurance. Last year was a trial, one of the few periods in the twelve year cycle that really can get to an Ox. All that team work and the feeling of being managed was truly a test for you. Monkey year qi isn’t really your style; it’s too erratic and irresponsible. But you’ll do fine if you frame the time as preparation for 2017, the Rooster year, when you’ll really be in your element. Then we’ll be talking discipline, achievement, hard work, delayed gratification—all the stuff you love. So for now, stick to your plan, and let the ups and downs of the coming year roll off your very thick skin.

Tiger: OK Tiger, listen up. This is important. Do NOT, under any circumstances, be baited into leaving your cave this year. Yes I know you have to go to work, take care of committments, and you can’t literally retreat into a cave like Milarepa. (Well if you can, then by all means do so.) But you’re going to have to symbolically take yourself out of the game and sit on the bench. Only do what’s absolutely necessary. The problem is the Monkey doesn’t fight fair. And you can’t engage with life in any other way but with complete integrity. The Monkey’s opportunistic tactics will get you every time, and in spite of your prodigious courage and strength, you could die of nervous exhaustion. Oh, I forgot to say that your special power is integrity. So stay true to yourself by taking your own adventure this year but make sure it’s an internal one. Practice martial arts by yourself in a quiet hidden place. Store up your strength; don’t let the Monkey drain your qi. You’re waiting for the Dog year (2018), when you can display your true colors in an unprecedented display of power.

Rabbit: Your super power is sensitivity and your intuition borders on the psychic. In the Sheep year these gifts were appreciated, and you were able to enjoy the companionship of friends who share your elegant taste and peaceful approach to life. However you may have grown tired of hosting the party with Sheep, (it did take a lot of energy,) and perhaps feel ready for some quiet time with the shades drawn. That approach could prove difficult this year. The Monkey craves attention and thrills, and tends towards hyperactivity. It could be difficult to remain aloof in the face of so much chaos. So keep that famous Chinese proverb pinned to your bathroom mirror: “A swift hare has three holes.” In other words, always have several options available for retreat. When one bolt hole is blocked, simply change direction and disappear down door number 2, or 3. In this way, you’ll come out at the end of the year with enough qi to face the very challenging Rooster year in 2017.

Dragon: I know, you’ve been waiting for this, your favorite of all years. Here’s how it works: you, of course, are the leader (and of a very grand sort like a royal emperor,) Rat is the campaign manager, and Monkey is the spin doctor. Have I got that right? You three are going to have the best time this year. Adventures await, complete with magic weapons, demons, heroic deeds, and all the stuff of legends. This is your time. Just remember—Dragons can either be egotistical and over confident, or they can truly be the wise and benificent king. The world needs you to be the latter. Oh yes—you have many super powers but perhaps the most important this year is the power of transformation.

Snake: Monkey and Snake have a long history of entanglement. They share an attraction to intrigue, and can’t resist one another’s charms. However Snake is basically introverted and likes to keep its agenda hidden; Monkey, the classic extrovert, inevitably blows Snake’s cover just for the attention. A falling out always ensues. So, your task this year is to avoid getting too sucked in, even though you see magic in every opportunity. Practice holding back. This is a year to wait for the more reliable energy of the Rooster year, a time when your quiet wisdom can be applied with precision and the expectation of a successful outcome.

Horse: Well, you and Monkey both like to play but your version of play is sports, while the Monkey revels in slight of hand, stage magic, and practical jokes. Things could get confusing. Also, you’re a hard worker when it comes to practical matters; and Monkeys only want to find a way out of doing chores so they can go dream up some new trouble to get into. What starts out looking like fun, could turn into the kind of chaos that can get you hurt. Your super power is your noble heart. When in doubt, take some time to get quiet, return to true self, and allow your heart to lead you. In this way you can avoid the worst of the Monkey’s hyperactivity and rash behavior, and save yourself considerable embarrassment or injury.

Sheep: I imagine you’re pretty tired by now. You’ve had a lot of responsibility this past Wood Sheep year, what with managing everything both at work and at home. You actually don’t like being a leader, at least not a visible one, preferring to work behind the scenes creating a harmonious team in which each person’s strengths are perfectly utilized. Well done. Now go rest. Oh, except it’s impossible to rest in a Monkey year. And it’s so difficult to hand over the reins of your well organized team. The best approach is to allow what you’ve created to have a life of its own now. Just give it a little nudge now and then to keep things moving along if they drift too much. But resist the temptation to micro manage everything. The Monkey will pull the rug out from under you for sure. Your super power? Propriety. (Everyone but you will have to look that up.)

Monkey: Every year I have to caution the people whose year it is, to be careful. When it’s your year it’s like having to sit in the front row in the classroom. You have to be prepared every day—no hiding or playing safe in the back of the room. However, if you’re a Monkey in a Monkey year, none of this applies. In fact the more the merrier. Monkeys love an excess of Monkey energy. Think of yourself scampering through the treetops with a whole gang of Monkey friends, getting into all sorts of lovely trouble and better yet, getting out of it together. Now if you really want to get stuff done, team up with Dragon and Rat. Then instead of just making trouble for everyone else, you can produce the magic elixir of immortality and save the planet. Just think of it. Your super power—oh you have so many wondrous powers—but I have to pick one, so let’s just go with that magic glow in the dark ring you carry in your pocket (or wait, what about the invisibility cape……)

Rooster: You have a fairly neutral relationship with Monkey, mainly because you never lose focus, even in the face of Monkey’s ceaseless manuevering. It’s actually not a bad thing to let yourself get a little swept up in the adventure, even though fun, for its own sake, isn’t really your thing. But your super power is your laser focus and you find the Monkey’s short attention span a ridiculous waste of energy. When you bring the matter up, even in an attempt to be helpful, you’re seen as a critic who’s attempting to undermine everyone’s fun. Don’t worry, you are a master of delayed gratification. Stick to your plan and everyone will admire you for your accomplishments and wish they’d listened to you in the Rooster year.

Dog: Your super power is loyalty. This bone deep aspect of your character drives you to work hard and can even mean you’re on the job 24/7. After all, who else will take care of the family and guard the home if not you? But even the most faithful watch dog deserves some time to play. So consider this Monkey year to be your time to romp on the beach, go to the dog park, and enjoy some well earned time off. Just be aware that the Monkey’s flexible morality and trickster ways may clash with your high ethical standards and honesty; so have all the fun you want, but watch out for anything that may compromise your personal integrity. Remember, the Monkey actually stole the peach of immortality; he didn’t earn it. You basically have two completely different sets of values.

Pig: Last year was the perfect party, with Sheep managing the guest list, Rabbit decorating the table, and you cooking the meal and picking the wine. Now, it’s time for the after dinner party and games. Monkey now arrives with a suitcase full of party gags and magic tricks; a whole evening of fun is in the works. One word of caution: the Pig’s super power is tolerance that comes from a comprehensive view of life. Your generous nature makes it easy for you to include every possible viewpoint and type of behavior. But you can also be gullible. You could easily be targeted this year by tricksters, swindlers, and con artists. Run any interesting new schemes and business ventures by a Sheep friend, who has much better radar for deception than you do.

Narrye Caldwell  is available for astrology consultations at her office in Santa Cruz, Ca., or by Skype or phone. She can be reached through her website at http://www.narryecaldwell.com.

You can browse the Plum Publications site here: http://www.plumpub.com/

 

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A FEW 2015 RELEASES THAT ARE STILL IN THE PLAY PILE!

A FEW 2015 RELEASES THAT ARE STILL IN THE PLAY PILE!

AS WE’RE NOW IN 2016 I thought I’d stop prevaricating and just big up a few albums that were bought or sent to me in 2015 and have stayed the course.

K LPI have to say that Kamasi Washington’s ‘The Epic’ still packs the punch it had the first time I heard it. There is definitely something deep going down on the West Coast, a musical undercurrent that demands we listen. Check out Kamasi’s contribution to Kendrick Lamar’s much discussed ‘To Pimp A Butterfly’ – musically, there’s some seriously radical stuff going on that LP

Another album that Ninja sent me was the Romare album – a free flowing contemporary offering and a most pleasant surprise.

YouTo coincide with moving his IF Music boutique record emporium from Fitzrovia back to D’arblay Street in Soho the man called Jean Claude has released via BBE a double album of rare jazz cuts – none of which I’d previously owned. Appropriately entitled, ‘You Need This! A Journey into Deep Jazz’ this diverse selection homes in on a set of obscure, but not supa-rare albums from players like John Stubblefield, James Clay, Stanton Davis and Max Roach, whose excellent MBOOM project kicks off this venture. I can’t recall how many times JC has insisted, “You need this!” and for once I’m not going to argue.

Mbongwana Star Pic:

Mbongwana Star

It was nice to spot World Circuit boss Nick Gold in a pic taken in the White House with President Obama and the surviving members of Cuba’s Buena Vista Social Club. Just as I’d thought Nick had packed it all in at World Circuit a CD by Mbongwana Star dropped through my door. Obviously, Nick was much taken by the wayward music on this disc and did us all a favour by putting it out there. Mbongwana Star are five Congolese musicians, two of whom used to be in Staff Benda Bilili, plus Paris based producer Dr. L . Their debut album ‘From Kinshasa’ is a punky mix of spacey electronics, surging rhythms and flashes of Congolese guitar. Unique and other worldly!

Staying with Africa but on a crate digging tip I’m nicely vibed on the ‘Amara Toure’ album compiled by Samy Ben Redjeb for his mighty Analog Africa Label. Like the companion release ‘Senegal 70’ these albums deliver vintage Senegalese music but, for me, it’s the super cool Latin flavas of Amara Toure that wins out!

GL_LOGO-1200px_72dpi1-1024x10242016 will see the Olympics in Brasil and to go with it a guaranteed explosion of music. Over the past year I became an avid listener and staunch fan of Jody Gillett‘s Brasil Music Exchange. Produced by Folded Wing in partnership with Brasil Música e Artes, these shows have been essential listening for anyone interested in sound of modern Brasil. One album that Jody turned me onto is Goma-Laca -‘ Afrobrasiliades’ – an innovative album that homes in on Afro-Brasilian classics from yesteryear and transports them in another millennia. Seek it out: GOMA-LAKA.COM. Check Jody’s shows on Mixcloud (https://www.mixcloud.com/Brazil/) – The girl digs deep!

One album that gathered a rake of 5 star reviews, which I also gave a deserved props to, was Xáos. Several years in the making the duo of Nick ‘Dubulah’ Page and Jimi Ahetas returned to their Greek roots by employing a host of ancient instruments and musical concepts. Add some futuristic micro-tonal musings and you might just get the picture. Xáos provided a deep and proud soundtrack to a Greek nation battered and bruised in the anti-austerity struggle.I need to hear the full Xáos ensemble live in somewhere like the Union Chapel. It would sound amazing. I can’t understand why a promoter hasn’t jumped at the opportunity.

Dubalah & Ahetas

Xáos: Dubalah & Ahetas

On that UK NU-Jazz… Spiritual Jazz tip… four albums are holding tight…Baritone saxophonist and flautist Tamar Osborn can be seriously proud of the Collocutor album via On The Corner. As can Nick Woodmansey for his ‘The Light Years Of The Darkness'(Brownswood) – a set of colloborations done for the Steve Reid Foundations. The Light Years Of The Darkness’ has an all star cast feat. Tamar, Jessica Lauren, Kieran Hebden, The Pyramids, Finn Peters, Ahmed Abdullah, Kevin G Davy, Val Etienne, Philip Harper, Rob Gallagher, Liz Elensky et al. Seek it out. It was a bit of a shock to see ‘Dem Ones’ featuring drummer Moses Boyd and saxophonistBinker Golding notch up a MOBO! Recorded in Mark Ronson’s studio and then transmitted into the analog/audiophile set up of Gearbox Records next door, it’s been fascinating to hear two graduates of Gary Crosby’s Tomorrow’s Warriors pursuing a route that’s attuned to ‘Free Jazz’ world. Staying faithful to the Spiritual Jazz path is Mancunian trumpeter Matthew Halsall and his Gondwana Orchestra. The reflective compositions on the ‘Into Forever’ album build on the ensemble’s previous endeavour and the 1000+ audience that packed out the Union Chapel were clearly smitten!

Straight outta the UK comes another cutting edge, totally free, session feat. Black Top & saxophonist Evan Parker. Recorded live in The Vortex this is an intensely engaging set of boundary breaking music… it’s out on the Babel label… and I wrote the liner notes (so, it’s gotta be worth checkin’!)

Matana Roberts

Matana Roberts

On the US “jazz” front I have two LPs that are poles apart. For echoes of ‘Crescent’ era Coltrane look no further that Charles Lloyd‘s ‘Wild Man Dance’ (Blue Note) – it’s live album recorded in Poland in 2013. But if you’re a drawn to an alternative journey I’m still wrapping my head around Matana Roberts’ radical ‘Coin Coin River Capter3 River Run Thee’. Can’t believe I missed her playing at Oslo in Hackney!

Finally, though D’Angelo‘s ‘Black Messiah’ was released at the end of 2014 I didn’t invest in the vinyl until 2015 so I’m including it here. The production is killing! May the funk be with you!

PS: I’ve loved watching Dayme Arocena develop since I first saw her sing in St Pancras Church and her ‘Nueva Era’ album on Brownswood points towards great things. I’ve just noticed that globetrotting saxophonist Shabaka Hutchings has a brand new Comet Is Coming 12″ and I’m excited. I’m also eagerly awaiting the arrival of some music via Universal Mind Systems. 2016 is looking good already!

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JANUARY 1st 2016: Heiroglyphic Being & Friends LIVE @ Cafe Oto!

JANUARY 1st 2016: Hieroglyphic Being & Friends LIVE @ Cafe Oto!

Hieroglyphic Being Pic by Celesete Sloman

Hieroglyphic Being Pic by Celesete Sloman

New Years day 2016. Following on his 6 hour New Years eve DJ set at Café Oto Chicago’s Jamal Moss aka Hieroglyphic Being returned to Oto to perform a live, totally free, improvised set with Black Top’s Orphy Robinson and master drummer Mark Sanders. I had toyed with dropping in on the 6 hour session but this meeting of musical minds provided a tantalizing alternative. It was imbued with much promise and had the potential to set the tone for the year to come. I was not to be disappointed.

I first came across Jamal while editing Straight No Chaser. I was a regular online visitor to the Dope Jams site and it was there that I came across the name Hieroglyphic Being. It was a name that had echoes of Ra and the music had therefore to be checked out. Rooted in Chicago’s house scene he is a purveyor of electronic music, a DJ, a post space age explorer with a sound and word vision that corresponds to a digital age which conditions our existence.

Jamal is a big man who gives off air of inner solitude. From beneath his hood tumbles a waist length crown of dreadlocks. He hunches over his mixer as the others ready themselves. His right hand moves in the air and a theremin comes to life. Mark Sanders is a model of versatility and his crisp, fluid attack on the drums has a lightness of touch that allows Orphy Robinson to play with the settings on his xylosynth as he searches for a middle ground between the trap drums and Jamal’s increasingly intense bursts of static noise. As if getting the feel of each other the threesome gather a dexterous and furious momentum only for it to suddenly give way to a fresh undercurrent. Orphy relaxed onto his rumba box as Mark maintained the rhythmic pulse on a small repenique sounding drum while Jamal took flight on the Ewe. The ethereal collided with the cavernous… there were keyboard sounds that were familiar but you just couldn’t lock down.

“This is not my signal…. My transmission… it’s out of my control….” declares Jamal on the mic through stuttering delays before the music settles into compelling, sensitive cosmic groove that which culminates in a cascade of what sounds like chiming bells. Then, out of a haze of static… a fact…a warning?… “Everything…. everything… our lives… our loves… our messages… all stored on an external hard drive…”. End of Set 1!

Set 2 commenced with Jamal asking, “Chakras or I Ching?” The I Ching – a Daoist divination and cosmological text with a history of more than two and a half millennia won out and it appeared that Jamal’s choice of instrument for this piece was an i-phone which was wired into his desk and subject to hand held manipulation.

“Say this! We are the people. Say this …”
“It is worthwhile crossing great rivers….”
“Only cultured people can understand….
‘IMAGE. Assimilation.”
“Sky and Fire.”
“Cultured people avoid trouble by virtue…”
“IMAGE. Imagine.”
“Greatness is balance”

Just a few snatches I managed to scribble on a piece of paper, sentences randomly selected and read from the Book Of Changes as sound and rhythm is woven around them.

From the I Ching they move on to a celebration, an evocation, of computer games from Hatari onwards and then as it was a Friday night Jamal slipped into the session a 4-to-the-floor beat that one posse next to me had clearly been longing for. The constriction of ‘the one’ offered new challenges to both Robinson and Sanders who both worked tirelessly within the groove to offer a myriad of additional polyrhythms and sounds. They were clearly having a good time. I was most surprised to see that despite the beats Cafe Oto was pretty much a head-nod free zone. Weirdly intense.

Mark,  Jamal, Orphy

Mark, Jamal, Orphy

The set drew to a close with Jamal’s finger dancing across his I-Pad to conjure up sounds that came over like cross between kora and steel pan. Mark and Orphy both settled on mallets and got into a hypnotic but constantly shifting Malian style marimba/drum groove plus gongs. It was a mesmerizing climax to a wild, quite exhausting but energizing, journey into rhythm and sound that overall easily spanned two and half hours. It was all about the moment and I have to a give thanks to this supa-dynamic trio for kicking off 2016 in such a challenging and inspirational fashion.

For more from Hieroglyphic Being check: https://soundcloud.com/somuchnoise2beheard

PS. Along with the lack of head-nodding I also didn’t spot anyone filming on their phone! I liked that!

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