The Stuart Hall Project

The Stuart Hall Project: a Smoking Dogs film about revolution, politics, culture and the New Left experience is in cinemas 6 September

Highly acclaimed at this year’s Sundance and Sheffield Documentary festivals, the new film from Smoking Dogs’ award-winning documentarian John Akomfrah (The Nine Muses) is billed as “a sensitive, emotionally charged portrait of cultural theorist Stuart Hall“.

I discovered Stuart Hall in the early Seventies. He was the guiding light at the Centre for Contemporary Cultural Studies in Birmingham. I was an art student/leftist/communist activist with a basic understanding of Marxist economic theory but struggling with a Marxist approach to art and contemporary culture. The left was not on it when to came to popular culture, sub cultures, the role of media and I needed to be on it. To my rescue came collection of essays from the Centre for Contemporary Cultural Studies called ‘Resistance Through Rituals’,. It dealt with post war youth sub cultures from Teds to the Rastafari and I was blown away by an approach which transcended basic sociology by embracing Marxism, feminism, critical race theory and post-structuralism. Though I always found the latter to be hard going, these studies opened up a whole new way of looking at my immediate world.

For me, Stuart Hall is one of the most inspiring voices of the post-war Left and it’s great that Smoking Dogs have the the vision to explore Hall’s ongoing influence on British intellectual life which commenced soon after he emigrated from Jamaica in 1951.

Having just watched Akomrah’s poetic March On Washington I’m more than keen to see this film which combines extensive archival imagery – television excerpts, home movies, family photos – with specially filmed material and a personally mixed Miles Davis soundtrack.

According to the BFI website, “Akomfrah’s filmmaking approach matches the agility of Hall’s intellect, its intimate play with memory, identity and scholarly impulse traversing the changing historical landscape of the second half of the 20th century.”

Can’t wait!

Venues

6-19 September ICA / 6-12 September Curzon Renoir / 13-26 September BFI Southbank (Studio) / 16-22 September Cambridge Arts Picturehouse / 6-12 September Lighthouse Dublin / 16 September Lexi Cinema Kilburn / 13-20 September Hackney Picturehouse / 13-20 September Ritzy Brixton / 20-26 September Greenwich Picturehouse
/ 21-22 September Komedia Brighton / 26 September Barbican / 26 September Duke of Yorks Brighton/ 29-30 September Chapter Cardiff / 4 October Showroom Sheffield / 4-7 October MAC Birmingham / 26-31 October Watershed Bristol

MORE INFO: http://www.smokingdogsfilms.com/

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MARTIN LUTHER KING & THE MARCH ON WASHINGTON

Dr Martin Luther King Jnr: The March On Washington

1963 – Dr Martin Luther King Jnr: The March On Washington

MARTIN LUTHER KING & THE MARCH ON WASHINGTON is another magical film from the Hackney based Smoking Dogs. Directed by Jon Akomfrah this evocative and historically illuminating documentary celebrates the pivotal moment in modern history when the the Civil Rights movement descended on Washington DC to pressurise a vulnerable but sympathetic President John F Kennedy to go forward with his Civil Rights Bill.

As with all Smoking Dogs films it’s beautifully constructed and while the story is imbued with an intense urgency it’s punctuated by a monochrome, dream like quality that’s graced, at one point,  by Miles Davis’ muted horn.

The rigorous nature of Jon Akomfrah’s directorship ensures that Dr King’s role was not elevated in importance above others who played a crucial role in making the march happen. At the heart of the organisation was the so called ‘Big Six’ led by the charismatic Philip Randolph – president of the Brotherhood of Sleeping Car Porters, president of the Negro American Labor Council – and his right hand man Bayard Rustin.

Philip Randolph & Bayard Rustin (l-r)

Philip Randolph & Bayard Rustin (l-r)

The ‘Big Six’ also included John Lewis (Student Nonviolent Coordinating Committee), Martin Luther King, Jr. (Southern Christian Leadership Conference), Roy Wilkins (NAACP), and Whitney Young (National Urban League) and it was their task to mobilise and marshall grass roots support from across the nation for a march focused on non violent direct action for freedom and jobs.

Through deftly researched archive footage and photography we get drawn into the momentum of the movement as the activists descended on the nations cities. Simultaneously we are introduced into a web of dark White House politics and cold war paranoia.

On the day, fear of impending riots ensured that a small army of troops was on alert in DC. J Edgar Hoover and the FBI had whipped up fear of communist infiltration and that undoubtedly contributed to Roy Wilkins and Whitney Young objecting to Bayard Rustin as a leader for the march because he was a homosexual, a suspected Communist and a draft resister. Eventually the duo accepted Rustin as deputy organizer, on the condition that Randolph act as lead organizer and manage any political fallout.

Belafonte & Heston

Belafonte & Heston

It was great to Harry Belafonte, a tireless activist, gathering support in Hollywood and something of a surprise to Charlton Heston (he became the president of the National Rifle Association) on the front line. The presence of these celebrities like Marlon Brando and Steve McQueen alongside musical activists like Bob Dylan and Joan Baez added a new dimension to the struggle and on the day it was the shoulder to shoulder coming together of black and white Americans that made the march on Washington one of the most  profound events in US history.

Joan Baez & Bob Dylan

Joan Baez & Bob Dylan

Though the film doesn’t go into it there were those, like Malcolm X, who saw the march as a farce but the film genuinely conveys the political tension on the platform that day, especially in relation to John Lewis’ speech which talked about the black (not negro) masses and how there would no “cooling off” period after the march.

The world over, people recognise the words… the vision… that Dr Martin Luther King Jnr testified to from the podium of the Lincoln Memorial on that day, but I for one didn’t know that he was on the cusp of finishing his prepared speech when the voice of the mighty Mahalia Jackson emerged from crowd behind urging him, “Tell Them about the dream!”

The rest is history.

If you are in the UK you can view here (there’s only a couple more days left!) : http://www.bbc.co.uk/iplayer/episode/b039dyn8/Martin_Luther_King_and_the_March_on_Washington/

If you are in the US you can view here:
http://www.pbs.org/black-culture/explore/march-on-washington/documentary/#.Uh9Ljhx_WPQ

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ALMOST SOLD OUT! Michael Garrick’s ‘Prelude to Heart Is A Lotus’

ALMOST SOLD OUT! Michael Garrick’s ‘Prelude to Heart Is A Lotus’

The Vinyl!

The Vinyl!

Just spotted this picture on Sebastian Scotney’s London Jazz bulletin of Gearbox Records’ Adam Sieff proudly holding a copy of the Michael Garrick Sextet’s ‘Prelude to Heart Is A Lotus’.  As you might know Gearbox specialises in analogue hi-quality vinyl and this 1968 BBC Jazz in Britain recording – freshly pressed up for the very first time –  has almost sold out!

Adam Sieff - Gearbox Records

Adam Sieff – Gearbox Records

Mike Garrick compositions possess a  deeply spiritual dimension and this LP is a welcome addition to a compelling canon of work.  The sextet recording finds Michael playing piano, harpsichord and celeste in the company of long time associates saxophonist Don Rendell, trumpeter Ian Carr and bassist Coleridge Goode.  Reflecting the spiritual quests of the era what we get on this record are new and innovative directions in British jazz which paved the way for the Argo Records’ ‘Heart Is A Lotus’ studio album that surfaced two years later. Definitely worth checking out.

http://www.gearboxrecords.com/Site/Releases.html

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Nothern Soul meets Stereophonic-Supply

Nothern Soul meets Stereophonic-Supply

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As Swifty and myself originally hail from the industrial North and had our own respective experiences of the Northern Soul scene we decided to design a tee which tips a nod to those who’ve kept the faith alongside the new generation of dancers. We’re still looking forward to Elaine Constantine’s forthcoming movie ‘Northern Soul’ which was supposed to drop this summer and the book of photos and memorabilia they’ve collected along the way. As for ‘The Owl’, you’ll have to ask Swift about that…

http://www.stereophonic-supply.co/product/soulclub-t-shirt/
http://www.northernsoulthefilm.com/

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SUMMER READS Mo’Meta Blues, Black Bazaar, Blood Of The Wicked

FOLLOWING ON FROM TONY ALLEN’S EXCELLENT MASTER DRUMMER OF AFROBEAT I COULDN’T RESIST a BIG UP for a few more SUMMER READS: Mo’Meta Blues, Black Bazaar, Blood Of The Wicked…

questHaving read a couple of reviews that expressed reservations about Ahmir Questlove Thompson’s “autobiography” I decided to put the book on one side and read it on holiday away from my normal habitat and daily routines. It was a good move.

For the first time ever I’d decided to travel without a laptop and without a selection of music so I’d be removed from my regular routine where music is a constant.Free from my normal baggage I sunk I sunk into the book with ease – a welcome literary musical fix.

The book is a collaboration with New Yorker journalist Ben Geenham and I immediately related to his mission to come up with something structurally different from the trad biog. ?uest is only 44 and while the drummer/producer is one of the faces of contemporary hip hop his artistic career is far from done. So, what we get in this book is journey so far – playing with the family band, co-forming the Roots, initiating the Soulquarians, producing D’Angelo’s seminal ‘Voodoo’ LP, MD’ing the Jimmy Fallon Show – and it’s interspersed with tunes (of course), specific reflections and incidents (Prince’s roller skating party with Eddie Murphy) as well as editorial interjections.

The early years are fascinating and it’s remarkable that this trademark ‘fro has prevailed stylistically for several decades.  His year by year breakdown of the baddest, most inspirational tunes that had shaped his musical world almost had me heading off to the nearest internet cafe…  I’ve still got re-listen to Stevie’s ‘Secret Life Of Plants’ LP.

ROOTS - ?uestlove & Black Thought

ROOTS – ?uestlove & Black Thought

As one rolls through the decades you have to warm to ?uestlove’s geeky but totally driven pursuit of perfection. Not all rap ‘n hip hop artists are impoverished gangstas and rude boys from the hood (Gang Starr were a good example) and ?uest’s left of centre quirkiness has definitely provided the yin to complement the yang of his partner in the Roots – Black Thought.

As ?uest analyses and delivers a flow of insights into the making of each of the Roots albums you have to think… “Damn, they’ve made a lot of records… ‘Game Theory’, ‘Tipping Point’, ‘Things Fall Apart’, ‘Phrenology’, ‘Undun’ “… and over the next period I definitely plan to revisit them all.

Equally thought provoking is where he and the Roots stand in relation to Puffy, Jay Z and Kanye alongside the importance of the Dilla and both the Soulquarian and Electric Ladyland Experiences.

?uestlove & The Funky President

?uestlove & The Funky President

Working on the Jimmy Fallon show has allowed him to develop his own persona whether via his much scrutinised Twitter or as a Grammy winning producer. That said, the reader is still consistently confronted with his insecurities which despite his global status still whisper away, undermining his confidence as he approaches each and every project.

Alongside the editorial interjections of Ben Greenman that punctuate the book you also get a running commentary from Rich Nichols who is “supremely analytical extremely verbal and determined to digest, process, present, and represent the Roots’ whole experience”. The latter adds a reflective and critical edge and like the classic Dizzy Gillespie biog which enlists interviews from other people to recall the same events as Diz, Rich’s contributions prove that there no definitive history… it all depends on perspective and who’s telling it.

If I have one have a small quibble it’s that during their short largely depressing stay in London ?uest forgot to mention their involvement in Straight No Chaser’s Shape Of Things To Come event. The Roots involvement in Shape Of Things To Come  came about as a result of Gilles (Peterson) discovering their first recording ‘Organix’ and releasing ‘From The Ground Up’ on Talkin Loud.  On the night it was raw and innovative session that involved a collaboration with – amongst others – MC Solaar, DJ Krush, Steve Williamson, Omar and bassist Anthony Tidd (who is now a very good friend of the funky drummer). That session became the template for Red Hot & Cool in NYC  which heralded a whole new level of  cross  generational jazz and hip hop collaborations. So, for me, maybe as I was involved, it’s a disappointing ommissision.

That said, Mo’ Meta Blues has an interactive quality and provides essential connective reading for a whole generation of funk, hip hop and jazz headz.

(PS: Note to ?UEST – Passport aside Gilles is about as Swiss as Del Boy)

Black-Bazaar_largeOn a totally different tip is Alain Mabanckou’s Black Bazaar, which drops us in Paris in the company of “Buttologist”, a member of the Society for Ambient People and People of Elegance (Le SAPPE) who originates from Little Congo, from Brazaville, across the river from Big Congo. Our story starts in Jip’s Afro-Cuban bar in Les Halles which is located across the road from Soul Fashion, a ladies underwear emporium, which employed his former girlfriend and baby mother Original Colour. Called the “Buttologist” due to his surveillance of and devotion to the movement of the female derriere the Sappeur lives in relative squalor with his six suitcases stuffed with designer clothes and shoes. He is in transition. In fact, our narrator is coming to terms with the loss of his daughter and Original Colour to the diminutive hand-drummer Hybrid, and it’s a tale that is eloquently told through his relationship with his deranged Antillean neighbour – Mr Hippocratic, the Arab shop owner on the corner, Roger the French Ivorian and Louis Philippe the Haitian. Reading this book I kept getting flashbacks to Tony Allen’s biography, it’s something to do with the way the story is told. There’s humour and lashings of insight. We enter into his world and his own inimitable logic shaped in a post colonial world of migration. There’s a vision that takes shape as the book unfolds and as I closed the final page I simply wanted more… so next the stop… Mabanckou’s Memoirs Of a Porcupine and Mongo Beti’s Poor Christ Of Bomba.

Society for Ambient People and People of Elegance (Le SAPPE)

Society for Ambient People and People of Elegance (Le SAPPE)

BloodFinally, a detective thriller set in Bahia. Blood Of The Wicked is written by Leighton Gage, an American who’s lived in Brasil for thirty years, and it introduces us to Chief Inspector Mario Silva and his small but inscrutable team.  Apparently, there are five other Mario Silva books but this tangled  tale of murder and vengeance in the rural town of Cascatas do Pontal was my initiation. Blood Of The Wicked is a political thriller, and as the death toll mounts Detective Mario Silva finds himself in a conflict between the landless and the land owners, where liberation theology collides with the brutal shadow of Brasil’s miltary dictatorship. I suspect this may not be the last Chief Inspector Mario Silva story that I read. (Thanx Jody!)

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Afrika70…..Baddest Band In Africa – Stereophonic-Supply Pays Tribute!

Afrika70…..The Baddest Band In Africa – Stereophonic-Supply pays tribute…

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While it might look like a bit of a vanity overload I couldn’t resist popping off some shots of the stereophonic-supply Africa70 tees while I was in Greece….the light was intense and fashion brands spend thousands to doing shoots in the Caribbean or the Mediterranean … so why not? Having just read Tony Allen’s excellent autobiography where he talks in depth about his time with Fela and Afrika70 and also recalling a story that the late great Art Ensemble trumpet player Lester Bowie told me about arriving at Kalakuta Republic…

Lester: I’m looking for Fela
Kid: You a musician?
Lester: Yeah
Kid: Are you any good?
Lester: Yeah
Kid: You’d better be cos this is the baddest muthafuckin’ band in Africa!

… I thought… yeah…. Africa70… THE BADDEST band in Africa! Love these tees. Nuff said.

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More info & to Buy: http://www.stereophonic-supply.co/shop/

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Kinthissa’s Taiji Journey: Quan Of Change

The legendary Gerda Geddes aka Pytt and a young Kinthissa.

The legendary Gerda Geddes aka Pytt and a young Kinthissa.

Discovering this lovely photo of my first Chen taijiquan teacher with her teacher and mentor, the pioneering Pytt (Gerda Geddes) sent me off to Kinthissa’s website only to discover a long piece she’d written for Tai Chi Chuan & Oriental Arts Issue 33 Spring 2010 , entitled ‘The Quan of Change: How I changed from Yang Style to Chen Style.

Of the piece Kinthissa says,”The world of taijiquan changed in the 1980s with the opening up of mainland China. Two barely known themes, fundamental to the training, began to emerge: Zhan Zhuang — the standing qigong, and Chansigong — the technique of twining silk. A book I wrote last year, Turning Silk: A Diary of Chen Taiji Practice (Lunival, 2009), documents an old timer’s plunge into this new world. This article describes the main themes of the book and adds some vignettes from those years.”

It’s a great piece. She vividly recalls an era when the Marylebone Road, extending to Euston and Kings Cross, was the taiji artery of the city and names like John Kells, Rose Li and Master Chu brought back taiji memories of my own. From the Seventies up to today she practices relentlessly adhering firmly to the hands on lessons learned from her current master, head of the Chen Family, Chen Xiao Wang. If you’re interested in taijiquan or practice it, The Quan Of Change’ is a good read that goes from London to China to Italy (her current home) and it will have you reflecting on your own posture and the nature of the art’s “refined turbulence”.

You can find the piece here: http://kinthissa.taiji.org/articles/qc.html

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TONY ALLEN: MASTER DRUMMER OF AFROBEAT

TONY ALLEN: MASTER DRUMMER OF AFROBEAT is the focus of a forthcoming autobiography co-written with saxophonist/writer Michael E Veal.

Tony A Tony Allen: An Autobiography Of The Master Drummer Of Afrobeat is out in September and Tony has got together with saxophonist/writer Professor Michael E. Veal, who played and toured with Fela and penned the excellent Fela: The Life and Times of an African Musical Icon,to produce this wonderful insight into the life and times of Africa’s most influential and innovative modern drummer.

“My goal was for the book to feel like a continuous, relaxed session of Tony telling stories. This was essentially how we conducted the interviews, and this kind of narrative flow I have tried to preserve here.”says Veal adding that his aim is make the pages “speak” to the reader.

As Tony Allen: An Autobiography Of The Master Drummer Of Afrobeat is essentially an “academic” publication Veal’s approach is a wayward and unorthodox and for that we have to give thanks. This is not a slice of dry academia, what we get in this incredibly fruitful collaboration is 160 pages of rich revealing narrative that is so engrossing that I missed my stop on the tube.

The Original Funky Drummer!

The Original Funky Drummer!

Considering that Tony has been a devoted herb smoker since his teens his memory is remarkable. He is a brilliant story teller and from the moment he decided to pick up a pair of drum sticks he regales us with anecdote after anecdote from the pre-Fela era to beyond. As such he gives us a detailed insight into how the Nigerian music scene works. He deals with the bandleaders, the clubs, the rivalries, the payments (or in Fela’s case how he’d come back to Tony to borrow money he’d just paid him!), the tours (amid the civil war and to the USA), and the musical influences that shaped his drumming and the evolution of the music.

Basically, I couldn’t put the book down and it had me sifting through the records to provide a soundtrack to the narrative. Loved it. It’s out in September order your copy today.

Tony Allen: An Autobiography Of The Master Drummer Of Afrobeat – Tony Allen & Maichael E Veal (Duke University Press £16.99)

http://www.dukeupress.edu/

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SALE! JAPANESE BLUE NOTE LPs

Lou Donaldson Time Is Right

SELEKSHAAN OF MINT CONDITION JAPANESE BLUE NOTES FOR SALE! All titles £20 each + £3.50) P&P – except Jimmy Smith £10.00 each. Please share this list with your fellow Blue Note fans! Hit me back if you’re interested in any title.

Duke-Pearson-Profile-502367Stanley Turrentine – Look Out (BN 4039)
Stanley Turrentine – Dearly Beloved (BN 4081)
Stanley Turrentine – Jubilee Shout (BN 84122)
Lou Donadlson – Swing & Soul (BN 1566)
Lou Mecca Quartet (BN 5067)
Freddie Redd – Shades Of Redd (BN 405)
Lou Donaldson – Time Is Right (BN 4025)
JR Monterose + Horace Silver, Philly Joe Jones etc (BN 1536)
Lou Donaldson Quintet – Wailing With Lou (BN 1545)
Hank Mobley – Workout (BN 84080)
Hank Mobley – Soul Station (BN 84031)
Hank Mobley – Hank (BN1560)
Duke Pearson – Profile (BN 84022)
Duke Jordan – Flight To Jordan (BN 84046)
Stanley Turrentine – Comin’ Your way (BN 84065)
Jackie McLean – New Soil (BN 4013)
Donald Byrd – At The Half Note Café Vol 2 (BN 4061)
Donald Byrd – At The Half Note Café Vol 1 (BN 4060)
Look Out - Stanley TDonald Byrd – Byrd In The Hand (BN 84019)
Stanley Turrentine – Never Let Go (BN 84129)
Freddie Hubbard – Hub Cap (BN 84073)
Walter Davis Jnr – Davis Cup (BN8408)
The Jazz Messengers Live at Café Bohemia Vol 1 (BN 1507)
Jimmy Smith – A Date With Jimmy Smith Vol 2 (BN 1548)

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AT LAST! A SOUNDTRACK TO THE ART OF BUYING REGGAE MUSIC

Finally, a soundtrack to ‘The Art Of Buying Reggae Music…..’  is LIVE on our stereophonic-supply site.

Sugar Minott with Jah Bunny & posse

Sugar Minott with Jah Bunny & posse

Back in October 2011, I posted a piece here that recalled my reggae-music buying missions, during the early/mid Seventies, from Dalston Lane to Seven Sisters. Almost two years has elapsed since then and despite a couple of people promising me an invite onto their radio shows, to document the said journey live on air, it didn’t actually transpire. However, with a little enthusiastic help from one of the Stoke Newington massive we’ve now got the job done.

hudson - pickcount_shelly_057_dark_blue_robert_bowes

When the Brownswood crew exited for the Worldwide Festival in Sete last weekend radio producer Kathryn Willgress  and myself took over the legendary basement to cut this broadcast. We could have done a back to back mix with the tunes but decided that only a pirate radio-style show, complete with anecdotes, would do it justice. So, there you have it.. have a listen, read the piece… and enjoy a slice of lost London!

THE SOUNDTRACK: http://www.mixcloud.com/stereophonicsupply/paul-bradshaw-the-art-of-buying-reggae-music/#utm_source=widget&utm_medium=web&utm_campaign=flash_links

OR http://www.stereophonic-supply.co/mixtapes/

To read the original article go to: https://ancienttofuture.wordpress.com/2011/10/21/the-art-of-buying-reggae-music-a-back-in-the-day-journey-from-dalston-junction-to-tottenham-high-road/

PS: Feel free to hit us back with your own stories.

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