IT’S YOUR WORLD!: Play / Pray for Japan! The Sendai session!

When former UFO DJ Toshio Matsuura visited the North Japan in the wake of the disaster he was deeply affected and clearly motivated to help in whatever way he can. So, in a show of solidarity with the thousands of displaced people he, along with his compadres from Tokyo and Sendai, have organised various events. The Latest event – “It’s Your World” – took place on the 27th September at Club Shaft in Sendai.

Heading the line-up was Brownswood don, Gilles Peterson. He is engaged in making a Radio 1 documentary about what he has described as “an unforgettable trip” and on the night the DJ declared it was the perfect place to celebrate his birthday. He was in good company, with a host of fellow DJs including Toshio Matsuura, Shuya Okino (Kyoto Jazz Massive), Mitsu The Beats (GAGLE/JAZZY SPORT), Grooveman Spot (ENBULL/Jazzy Sport/Tettory BLK), DJ Mu-R (GAGLE/JAZZY SPORT), DJ MARCY (LITTLE BIRD from FUKUSHIMA) & DJ KAWADA (Sendai Jazz Messengers).

Following the event we have had yet another stark reminder of the volatile nature of the situation in Japan. Earlier today, another another powerful 5.6 magnitude earthquake shook the ground beneath the severely damaged nuclear power station in Fukushima and while TEPCO say all is well at the plant it is clear that many international experts are adamant that the world still does not know the true extent of the nuclear crisis in Japan.

Last month, Christopher Busby, a professor with the European Committee on Radiation Risks, declared, “The concentrations of the radio nuclides on the ground – even as far as 100 and more kilometers away from the plant – are very much higher than they have been saying.” He added, “We found one sample in Tokyo that had levels of radioactivity higher than levels in the Chernobyl exclusion zone.”

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“Where di man dem?” Menelik Shabazz’s ‘The Story Of Lovers Rock’ hits the big screen!

THOUGH IT”S AVAILABLE ON DVD, Menelik Shabazz’s poignant film ‘The Story Of Lovers Rock’ is about to do the rounds on the big screen.

Initially shown as a work-in-progress version at the 2009 BFM International Film Festival, ‘The Story of Lovers Rock’ tells the tale of an era and a home-grown music that defined a generation in the UK during the late 1970s and early 80s.

At that time I was a roots devotee and much preferred the offerings of Sir Coxsone to Sir George. Lovers was the realm of the youth I worked with in Stamford Hill… Farahs, crocs, Gabbichis… and a slow rub in Cubies on a Sunday night.

The advent of Lovers changed the musical landscape in the West Indian community and it’s impact was soon felt in the national charts. This film illuminates that process with a combination of live performances, interviews (Dennis Bovell, John McGilvray, Janet Kay, Maxi Priest, Gregory Isaacs) and some wikkidly funny sketches from Eddie Nestor and Robbie Gee.

As a skilled documentarian Shabazz evokes the times, referencing Sus laws and race riots along the way. However, as a film maker he displays a deftness and lightness of touch which never lets us forget the sweet sensuous and escapist nature of the music and a developing sense of black British identity.

The release date for THE STORY OF LOVERS ROCK is 30th September 2011 in selected cinemas in London and Birmingham and other cities.

Cinema City Norwich 29/09/11
Ritzy Brixton 30/09/11
Rio Dalston 30/09/11
Shortwave Bermondsey 30/09/11 (3 days)
Vue Shepherds Bush 30/09/11 (7 days)
Vue Birmingham Star City 30/09/11 (7 days)
Peckhamplex Peckham 30/09/11 (7 days)
Pictureville Bradford 04/10/11 (4 days)
Riverside Hammersmith 18/10/11
MAC Birmingham 18/10/11 (3 days)
Rich Mix Bethnal Green 20/10/11
Duke of Yorks Brighton 22/10/11

STORY: Paul Bradshaw + Ashley Clark (Permanent Plastic Helmet)

To see a full interview with Menelik about the film and his career check Ashley Clark’s piece: http://bit.ly/nOLZJJ

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JAZZ WARRIORS 2011: A Manifesto for change!

It all began with an vexing and frustrating incident at Ronnie Scott’s involving the UK’s premier jazz vocalist Cleveland Watkiss. A Facebook post by Cleveland sparked of the Facebook group “When Are We Going To See More Black UK Jazz Musicians On UK’S Jazz Stage?” and with it emerged an in-depth and at times volatile and heated debate that was rooted in decades of frustration with the UK’s jazz institutions. While certain people were notable by their absence no stone was left unturned as people traded experiences and discussed the nature of Jazz in the UK along with ongoing issues of race, diversity and respect.

One result of that debate has been the re-emergence of The Jazz Warriors as a militant organization poised to put into action a plan that will unite generations and ensure “the fair and equitable representation of the Black UK Jazz presence in the areas of: National Heritage, the Arts, Education and Training, Promotion and Performances.”

Check their manifesto @ http://www.thejazzwarriors.com and watch out for the return of the Jazz Warriors to centre stage!

PLAY THIS VIDEO FULL SCREEN: The Jazz Warriors video by Bruno Tilley hails from 1987 and features everyone who performed on the original album. Deep.

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Ripped & Torn: The Art Of Ian Wright @ the LDF

Last night, all roads led to the opening of ‘A Colourful Life’ at Tent London in Hanbury Street, just off Brick Lane. One of the most enticing offerings during this year’s frenzied London Design Festival, this event showcased three new works from the genius that is Ian Wright.

Having known Ian Wright aka Wrighty since the early Eighties, when we both contributed to the NME (where he famously did a portrait of Grand Master Flash drawn with salt! White Lines… seen?) and having had the pleasure of commissioning him to do numerous pieces for Straight No Chaser (Art Ensemble of Chicago, Joe Claussell, J Dilla…) I was most keen to see what he had conjured up for this creative collaboration between himself, design agency Blast and Keaycolour Paper.

As Keaykolour’s “Artistic Ambassador” he follows up on previous pieces where he’s innovated with Hama beads, buttons (badges) and bottles of eye liner. This time round he has created eye popping multi layered images crafted from cut, torn, folded or sculpted paper. He confirms his commitment to re-using/re-cycling and continues to give us an insight into his undying passion for music, film, street styles and fashion.

Along with recreating his favourite boom box in 2D and embossed with numerous references he delivers the connected images of a vinyl record and its sleeve. From a distance they are thoroughly convincing but up close they reveal a stack of musical memories from Tommy Steele’s ‘Little White Bull’ to the Pretty Things’ ‘Rosalyn’ to Otis Leavill. You need to spend a little time to take it all in but I was fully engaged in a journey that pretty much mirrored my own!

One wall is dominated by a piece constructed from cones of coloured paper that further the artist’s obsession with the phenomenon that was Jimi Hendrix. Somewhere in Ian’s memory banks resides an image of Hendrix – once seen but not forgotten – and it’s that which continues to inspire his effort to capture the man’s spirit.

Jini Hendrix: A work in progress...

Unfortunately it’s only on today, tomorrow and Sunday 25th. So, if you’re in the manor don’t miss it.

Opening times: 11- 5pm
Venue: Shop 25
Old Truman Brewery
Hanbury Street
London E1 6QR

http://www.blast.co.uk/colourfullife
http://www.mrianwright.co.uk

Nice to see some faces in the house: Swifty, Chris Long, Edwin Pouncey aka Savage Pencil, Karen (NME), Kingsley Davis, Mitch et al

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More Bounce to The Ounce… DEGO’s ‘Wha Him Deh Pon’ Live @ Put Me On It

The City Arts & Music Project aka C.A.M.P. is spitting distance from Old Street Roundabout and it was there that Amelia Ideh’s Put Me On It wisely chose to showcase a live set from the man called Dego.

Dego & Marc Mac by Alexis Maryon

As we stepped into the steamy, concrete bunker beneath City Road there was a tangible sense of anticipation in the air. The prospect of hearing a live set based on Dego’s brand new 20 track set entitled ‘Wha’ Him Deh Pon’ had pulled in richly diverse crowd who were undoubtedly familiar with the music of 4 Hero and the radical trajectory of Co-op. There were a lot of faces in the house – Cleveland Watkiss, Tony Nwachukwu, Gary Nurse, Sue Bowerman, Jez ‘Shook’ Smadja, Vince Vella, Mpho Skeef, Eric Lau, Bembe Segue, Matt ‘Monkey Boxer’ Bailey, Amar Patel, Kiri R2, Kate Theophilus… to name but a few. Yes, it was buzzing and when they hit the stage the audience were clearly unanimous in their enthusiasm for what was to come.

In fact, it felt like you were being immersed in a continuum… a continuum that is very specific to this city. The raw warehouse vibe with it’s overhead silver foil insulated ducting took me right back to those early illegal parties and as the set unfolded you were immediately aware that you were being immersed in something unique but essentially familiar. Basically, Dego’s music is rooted in London’s underground, it has helped shape that underground and no one else in the world makes music like it.

The deep bass lines, the challenging and bold time changes… the drop… the insistent and uplifting vocals and of course Kaidi Tatham’s keys combined to have the whole room rocking. There’s the funk, there’s the broken, there two-step and boogie… there’s drum ‘n’ bass and house and it’s all permeated with the sweat of a thousands of sessions.

There is a tremendous rapport between Dego and Kaidi which comes as no surprise. Reflecting on an interview session, back in the 90’s, at 4 Hero’s Dollis Hill studio, it was clear, from the rack of keyboards on display that Dego and Marc Mac, were serious collectors. They were obsessed with keyboards and had diligently sought out the instruments which had produced the sounds they loved. Kaidi’s distinctive brand of jazz infected free style funk fits perfectly with Dego’s vision and on this night the crowd responded accordingly.

Onstage, there was a family vibe. Akwasi handled bass and synth bass, Matt Lord doubled up on guitar and keys while three singers Sharlene Hector, Obenewa and Sarina Leah ensured the music packed the same cultural punch as vintage Soul II Soul. That said, after their rousing encore, Dego announced it was no big deal and all he really wanted was to deliver something that had that “little bounce”. And in that he more than succeeded.

check: http://2000black.com/

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CHECK IT! One off performance! Omar in Lovesong

EASY! Just got news of a performance of Omar in LOVESONG this Saturday 17th September at the Lion & Unicorn Theatre, 42-44 Gaisford Street, Kentish Town, London NW5 2ED… 9.30pm Tickets: £15.00 (www.ticketweb.co.uk)

HERE’S ONE REVIEW: “A musical monologue performed by Omar took us through a few days in the company of down-on-his-luck soul singer Oscar. Omar’s captivating performance, in his second collaboration with Che Walker, sees him try to heal a broken heart with booze, drugs and hookers. The original songs flow easily with the gritty, witty dialogue as the protagonist finds love and redemption in an unlikely source. Omar’s voice actually seems to have improved with age and the intimate setting is perfect.” Latest 7 – Brighton

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TONIGHT!! TWO BAAAAD LIVE SESSIONS: 3io @ jazz re:freshed + Dego meets Put Me On It

TWO BAAAD SESSIONS….

On the West side… in the Grove @ Mau Mau jazz re:freshed host the official album launch of 3io‘s ‘THE EMBRACE’.

Developing out of Robert Mitchell’s larger band Panacea, this trio, 3io, have a musical relationship that goes back almost a decade. 3io are a killing combination of unwavering and innovative pianist Robert Mitchell, metronomic buplex drummer Richard Spaven and ingenious electric and acoustic bassist Tom Mason.

Last year’s debut album, ‘The Greater Good’, won Best Jazz Album at Gilles Peterson’s Worldwide Awards in 2009 and was hailed by the Guardian as Mitchell’s finest album. ‘The Embrace’ is their second album and is the fruit of a long period of playing and working together. It draws on music written over two centuries, by creators from the UK, Africa, Sweden, and Germany and covers tunes by Aphex Twin and Little Dragon. Of their own, original music check the two tracks written by Richard Spaven – ‘Maz’ and ‘Rockers Round Window’ – which you’ll recognise from Spaven’s excellent 5ive EP on the jazz re:freshed imprint.

Jazz re:freshed – the best in the West. Essential session!

DEGO Live! @ Put Me On It at The C.A.M.P. @ The City Arts & Music Project, 70-74 City Road, London, Ec1y 2bj – Thursday 15th September 2011.

The first in a special series of live events from Put Me On It presents the inimitable Dego playing a deep ‘n’ live set of music from his latest sonic offering – ‘A Wha’ Him Deh Pon’. Released on his 2000 Black imprint this 20 track LP once more reveals Dego’s search for the perfect beat and his ability to reinvent and reshape the essential elements of classic funk and electro. From ‘Late Night Fright’, which takes us back to the heyday of dub & drum ‘n’ bass, we embark on a journey that mirrors Dego’s own musical evolution as one half of 4 Hero and a founder member of Co-op. The album includes contributions from Kaidi Tatham, Obemewa, Georgia Anne Muldrow, Taylor Mcferrin, Sharlene Hector et al.

Also in the mix will be singer, songwriter and multi-instrumentalist Tanya Auclair (a GP fave), excellent resident DJ Eric Lau, Sri McKinnon‘s new exhibition “Mindscapes”, United 80’s musical pop up shop & Mrs Mck’s Pudding Club selling a delicious selection of cakes and treats!

If you’re on the East side… this could be a night to remember.

Book now! putmeonit.ticketbud.com

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Harriet Tubman: Trane, Ornette… the Underground Railroad 2011

Thanks to a facebook post from the ever fantastic Cassandra Wilson I’ve latched onto Harriet Tubman – the dynamic trio of Brandon Ross (who plays with Cassandra. Wadada Leo Smith…), the prolific Melvin Gibbs (Defunkt, Decoding Society, Punk Funk All stars…Black Rock Coalition) and the deep’n’funky drummer JT Lewis. Upon discovering they’d “doubled-up” their line up to mirror and embrace the spirit of Ornette’s ‘Free Jazz’ line up by recruiting turnatablists DJ Logic and DJ Singe along with living legend and trumpeter Ron Miles and recorded a new album entitled ‘Ascension’…which references Trane’s mind blowing Impulse classic… I had to step up and order a copy from the States! So, depending on transatlantic post (I think it still travels by boat!) expect a full blown account of this venture to drop in the next 2 or 3 weeks!

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INNER VISIONS… The Museum Of Everything

FOLLOWING ON FROM THE MIND BLOWING MUSEUM OF EVERYTHING 3, which took place in an amazing, rambling and deceptively cavernous residence in Camden Town, comes their latest exhibition and somewhat surprisingly it’s found a home in the basement of Selfridges in heart of the West End.

It’s a warm Sunday afternoon and, despite the recession, Oxford Street is bustling with tourists and shoppers. As we approach Selfridges most people seem blissfully unaware that the window spaces have been taken over by images based on the works of numerous artists who exist not just outside the fine art conmmunity but outside the community as a whole.

Welcome to the debate on Art Brut, Outsider Art and plain old ART! The previous Museum Of Everything show in Primrose Hill had been an extraordinarily moving experience and as we descended the steps into the shabby, dim lit basement beneath the store a there was a refreshed sense of expectation.

Museum of Everything 4 is curated by it’s founder James Bett and focuses on art made in studio workshops, some attached to hospitals, around the world, from Japan to Brazil, Germany to Australia. There are over 200 drawings, paintings and sculptures mostly produced by people who suffer a variety of psychological, neurological or physical problems, and while the work on show can be disturbing one is consistently drawn into the artistic process and the winning nature of the artworks themselves. It’s fascinating stuff, maybe because it’s not intended to be “Art”. For the most part these pieces are not produced for anyone other than its creator.

Of the individuals who have work work on show there’s William Scott “a citizen of inner skyline” who offers “wholesome encounters” including a “Rebirth of the Re United States” alongside Ruby Bradford, who hails from Project Onward in the USA and paints expressionistic images of Prince William and Prince Charles (who even gets to meet Superman!). Alan Constable, an Australian with seriously impaired vision makes clunky ceramic models of cameras while Michael Gerdsman crochets mobiles, a hairdryer, microphones, and pot plants. One man reinterprets posed images from women’s magazines while Tomoyuki Shinki has created stunning, contorted and interwoven paintings of wrestlers. Giovanni Galli draws stiletto wearing, underwear clad, voluptuous women and space rockets combine with disjointed texts detailing conspiracy theories, the evils of technology and global crisis. There are the black and white images of Jean Jaques Oost and the fabulous etchings of Sabine Münch portraying imaginary creatures.

There is a lot to take in. There’s humour and there’s obsessiveness whether its cupcakes or Harold Stofer’s endless lines of script that take on a textured life of their own. To get inside the rational of this show one needs to know where it’s coming from and to do that you need to chill out and read some the interviews that are dotted around the place. These interviews (and short films) give an insight into how the workshops have emerged in different countries. The stories behind each are compelling and inspiring. Each have different views about what should or should not be “taught”. You can have one place which lots of technicians to support those who use the workshops and there are those which have simply emerged and grown largely on a common energy mutual support. Either way, from Holland to Osaka to California they do an amazing job that inevitably produces some impressive and unforgettable work.

Stepping out of the slightly claustrophobic and grungy atmosphere of the “museum” into Selfridges with its dazzling bright lights, polished glass surfaces and chrome trimmings inevitably amplified a sense of societal discord between the quirky, sometimes deranged, meeting of minds in the basement and the “normal” world of unbridled consumerism. And, for that alone it’s worth the visit ’cause I’m not sure which was the most disturbing.

Images Top to bottom / l to r:
William Scott
Jean Jaques Oost / Ruby Bradford
Paulus de Groot / Josef Hofer
Giovanni Galli
Sabine-Münch / artist not known
Biffoli. M

The Museum Of Everything 4 is on now!

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WOW! THIS IS LOOKING REAL GOOD!

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