TONIGHT!! TWO BAAAAD LIVE SESSIONS: 3io @ jazz re:freshed + Dego meets Put Me On It

TWO BAAAD SESSIONS….

On the West side… in the Grove @ Mau Mau jazz re:freshed host the official album launch of 3io‘s ‘THE EMBRACE’.

Developing out of Robert Mitchell’s larger band Panacea, this trio, 3io, have a musical relationship that goes back almost a decade. 3io are a killing combination of unwavering and innovative pianist Robert Mitchell, metronomic buplex drummer Richard Spaven and ingenious electric and acoustic bassist Tom Mason.

Last year’s debut album, ‘The Greater Good’, won Best Jazz Album at Gilles Peterson’s Worldwide Awards in 2009 and was hailed by the Guardian as Mitchell’s finest album. ‘The Embrace’ is their second album and is the fruit of a long period of playing and working together. It draws on music written over two centuries, by creators from the UK, Africa, Sweden, and Germany and covers tunes by Aphex Twin and Little Dragon. Of their own, original music check the two tracks written by Richard Spaven – ‘Maz’ and ‘Rockers Round Window’ – which you’ll recognise from Spaven’s excellent 5ive EP on the jazz re:freshed imprint.

Jazz re:freshed – the best in the West. Essential session!

DEGO Live! @ Put Me On It at The C.A.M.P. @ The City Arts & Music Project, 70-74 City Road, London, Ec1y 2bj – Thursday 15th September 2011.

The first in a special series of live events from Put Me On It presents the inimitable Dego playing a deep ‘n’ live set of music from his latest sonic offering – ‘A Wha’ Him Deh Pon’. Released on his 2000 Black imprint this 20 track LP once more reveals Dego’s search for the perfect beat and his ability to reinvent and reshape the essential elements of classic funk and electro. From ‘Late Night Fright’, which takes us back to the heyday of dub & drum ‘n’ bass, we embark on a journey that mirrors Dego’s own musical evolution as one half of 4 Hero and a founder member of Co-op. The album includes contributions from Kaidi Tatham, Obemewa, Georgia Anne Muldrow, Taylor Mcferrin, Sharlene Hector et al.

Also in the mix will be singer, songwriter and multi-instrumentalist Tanya Auclair (a GP fave), excellent resident DJ Eric Lau, Sri McKinnon‘s new exhibition “Mindscapes”, United 80’s musical pop up shop & Mrs Mck’s Pudding Club selling a delicious selection of cakes and treats!

If you’re on the East side… this could be a night to remember.

Book now! putmeonit.ticketbud.com

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Harriet Tubman: Trane, Ornette… the Underground Railroad 2011

Thanks to a facebook post from the ever fantastic Cassandra Wilson I’ve latched onto Harriet Tubman – the dynamic trio of Brandon Ross (who plays with Cassandra. Wadada Leo Smith…), the prolific Melvin Gibbs (Defunkt, Decoding Society, Punk Funk All stars…Black Rock Coalition) and the deep’n’funky drummer JT Lewis. Upon discovering they’d “doubled-up” their line up to mirror and embrace the spirit of Ornette’s ‘Free Jazz’ line up by recruiting turnatablists DJ Logic and DJ Singe along with living legend and trumpeter Ron Miles and recorded a new album entitled ‘Ascension’…which references Trane’s mind blowing Impulse classic… I had to step up and order a copy from the States! So, depending on transatlantic post (I think it still travels by boat!) expect a full blown account of this venture to drop in the next 2 or 3 weeks!

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INNER VISIONS… The Museum Of Everything

FOLLOWING ON FROM THE MIND BLOWING MUSEUM OF EVERYTHING 3, which took place in an amazing, rambling and deceptively cavernous residence in Camden Town, comes their latest exhibition and somewhat surprisingly it’s found a home in the basement of Selfridges in heart of the West End.

It’s a warm Sunday afternoon and, despite the recession, Oxford Street is bustling with tourists and shoppers. As we approach Selfridges most people seem blissfully unaware that the window spaces have been taken over by images based on the works of numerous artists who exist not just outside the fine art conmmunity but outside the community as a whole.

Welcome to the debate on Art Brut, Outsider Art and plain old ART! The previous Museum Of Everything show in Primrose Hill had been an extraordinarily moving experience and as we descended the steps into the shabby, dim lit basement beneath the store a there was a refreshed sense of expectation.

Museum of Everything 4 is curated by it’s founder James Bett and focuses on art made in studio workshops, some attached to hospitals, around the world, from Japan to Brazil, Germany to Australia. There are over 200 drawings, paintings and sculptures mostly produced by people who suffer a variety of psychological, neurological or physical problems, and while the work on show can be disturbing one is consistently drawn into the artistic process and the winning nature of the artworks themselves. It’s fascinating stuff, maybe because it’s not intended to be “Art”. For the most part these pieces are not produced for anyone other than its creator.

Of the individuals who have work work on show there’s William Scott “a citizen of inner skyline” who offers “wholesome encounters” including a “Rebirth of the Re United States” alongside Ruby Bradford, who hails from Project Onward in the USA and paints expressionistic images of Prince William and Prince Charles (who even gets to meet Superman!). Alan Constable, an Australian with seriously impaired vision makes clunky ceramic models of cameras while Michael Gerdsman crochets mobiles, a hairdryer, microphones, and pot plants. One man reinterprets posed images from women’s magazines while Tomoyuki Shinki has created stunning, contorted and interwoven paintings of wrestlers. Giovanni Galli draws stiletto wearing, underwear clad, voluptuous women and space rockets combine with disjointed texts detailing conspiracy theories, the evils of technology and global crisis. There are the black and white images of Jean Jaques Oost and the fabulous etchings of Sabine Münch portraying imaginary creatures.

There is a lot to take in. There’s humour and there’s obsessiveness whether its cupcakes or Harold Stofer’s endless lines of script that take on a textured life of their own. To get inside the rational of this show one needs to know where it’s coming from and to do that you need to chill out and read some the interviews that are dotted around the place. These interviews (and short films) give an insight into how the workshops have emerged in different countries. The stories behind each are compelling and inspiring. Each have different views about what should or should not be “taught”. You can have one place which lots of technicians to support those who use the workshops and there are those which have simply emerged and grown largely on a common energy mutual support. Either way, from Holland to Osaka to California they do an amazing job that inevitably produces some impressive and unforgettable work.

Stepping out of the slightly claustrophobic and grungy atmosphere of the “museum” into Selfridges with its dazzling bright lights, polished glass surfaces and chrome trimmings inevitably amplified a sense of societal discord between the quirky, sometimes deranged, meeting of minds in the basement and the “normal” world of unbridled consumerism. And, for that alone it’s worth the visit ’cause I’m not sure which was the most disturbing.

Images Top to bottom / l to r:
William Scott
Jean Jaques Oost / Ruby Bradford
Paulus de Groot / Josef Hofer
Giovanni Galli
Sabine-Münch / artist not known
Biffoli. M

The Museum Of Everything 4 is on now!

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WOW! THIS IS LOOKING REAL GOOD!

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Something for the weekend… Gilles Peterson meets Ross Allen… the podcast!

Having penned the liner notes to Gilles P’s latest offering… ‘Masterpiece’ …from the Ministry Of Sound I was most happy to see GP has got together with my good friend, the ever feisty and seriously deep music fan’ Ross Allen to do this 2 hour long podcast! I rarely miss reading Ross’ e.mail missives or listening to his proudly eclectic Ministry show and this conversation with Gilles is packed with history of the London club scene. Anyway, this is what Ross had to say about this excellent on-air meeting of musical minds.

“This show is an interview that I did with Gilles Peterson, lovingly mixed by Steve at Ministry and sounding rather good. It’s basically a plug for Gilles excellent new compilation on Ministry. However I thought it was a good opportunity to tell the story of one of the worlds leading DJ’s. Always covering new music with a huge knowledge of all that went before. I have been going to his gigs since I was 17, and still do. You never know what you are going to get with him except a certain quality. The chat was great, a bit in depth, but it tells the tale of a passionate music lover who has taken his love all over the world. It’s doable if you have the desire and knowledge. This tale tells that and stops off at all points music in between. There are lots of Gilles’ classics in there and mentions of clubs, parties and radio station that are classic in London’s musical history some of it you’ll know and lots you won’t. It covers everything from his earliest musical purchases to chats about Thundercat and Kode 9…”

Top weekend listening!

GILLES PETERSON MASTERPIECE SPECIAL SHOW
Download Link: http://www.sendspace.com/file/i7rrgd
Check the Tracklist: http://www.ministryofsound.com/radio/radio-djs/92/guest-mix-gilles-peterson/

Gilles Peterson’s 3CD Masterpiece set is available now on Ministry Of Sound.

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KATE TEMPEST… A furious storm brewing!

After reading Jody Gillett’s excellent piece on wwww.mondomix.com about how a band of South London brothers called United Vibrations took the riot torn streets, to deliver their own spiritual “12Tone” jazz message of “galaxies not ghettos, equilibrium not domination, deeds not empty words”, I went on to check the spoken word of Kate Tempest – one of their regular collaborators. I was blown away and conceded that I need to get out more!

This is Kate performing at One Taste! She is one third of Sound Of Rum – their album ‘Balance’ is out on Rob da Bank’s Sunday Best label and checking her myspace and listening to Wu Tang inspired ‘do wot u must do’ it sounds like there’s a solo LP ready to roll.

Jody’s piece: http://united-vibrations.mondomix.com/en/itw6421.htm.

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Tonight… TWO BAAAD SESSIONS…. LIVE….

RUMBA ORISHA presents a night of Cuban roots music. Sacred bata drumming and songs for the Orishas and vibrant Cuban rumba. With special guests Martha Galarraga (ex-Conjunto Folklorico Nacional de Cuba) and Gerardo de Armas Sarria (ex-Yoruba Andabo), two of the finest performers of Afrocuban music in the world.

Martha Galarraga

DJ Cal Jader (Movimientos) / 1st set (Orisha) 8pm / 2nd set (Rumba) 9.30pm
Venue: Rich Mix, Bethnal Green Road, London / Free Entry! Doors 6.30

JAZZ RE:FRESHED Following on from the launch of Kaida Tatham’s latest recording Clemmie Yarde & Adan ‘Rokers’ Moses presents the incredible JASON YARDE and his equally amazing trio WAH!

Jason Yarde - WAH!

The stars are aligned and this session falls Jason’s birthday so you KNOW this is going to be a heavyweight show!

Venue: Mau Mau Bar, 265 Portobello Rd. London

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RADICAL BIZNIZ: FELA ANIKULAPO KUTI LIVE at GLASTONBURY 1984 – FULL SET!

Dunno how long this will be up here… check it while you can… Glastonbury was mega unfashionable back then… it was small and when darkness dropped it dropped. Fela & Afrika 70 look truly spectacular… what a horn section… tremendous version of ‘Teacher don’t teach me nonsense’…Deep!

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THE REVOLUTIONARY ART OF EMORY DOUGLAS

TRUE TO THE CYCLES OF INNER CITY deprivation, alienation and rebellion, the exhibition and book launch for ‘Black Panther – The Revolutionary Art of Emory Douglas’ took place in the shadow of our own inner cities being set alight following the shooting of a young black man by armed police.

Back in late Sixties, like countless others around the globe, I was mesmerised by the imagery, the language, the militancy and sheer front of the Black Panther Party. The demand for Black Power went global when Tommy Smith and John Carlos took to the rostrum at the 1968 Olympic games. In Manchester, where I was living back then, the Twisted Wheel regulars – mostly working class white kids – were inspired and in solidarity took to wearing black leather driving gloves! Soul music and Black power became synonymous.

However, while Curtis Mayfield was inspirational and inclusive nothing prepared this kid for the fiercesome onslaught that burst from the grooves of the Last Poets ‘This Is Madness’. That said, with the benefit of hindsight I can refer to the opening pages of Bobby Seale’s book ‘Seize The Time’ where he describes sitting in the car with Huey Newton listening to Bob Dylan singing, “something is happening and you don’t know what it is, do you Mr. Jones?”. That was exactly it. I didn’t really know what was happening and I needed to find out. I was no reader at that time but I consumed Seize The Time, Eldridge Cleaver’s Soul On Ice, George Jackson’s Soledad Brother, Angela Davis’ If They Come In the Morning and Ralph Ellison’s profound Invisible Man.

I don’t pretend that I understood all of what I read but it left me teetering on the edge of another world. In the “Land of the Free” the legacy of slavery and white supremacy was running amok and the Panthers were on the front line. Their stance certainly shifted my world view. I became politically aware and active.

So, meeting Emory Douglas – the Black Panther Party’s Minister Of Culture – was, for me, a poignant moment. It was the chance to have a short reasoning with the man himself, offer recognition of the high price they paid and thank him and his comrades for providing a source of inspiration that continues to resonate today.

For just over a decade Emory was in charge of the Black Panther newspaper, which at its peak in 1970/71 had a huge circulation (Emory est. 400,000 / FBI est 139,000 copies). In the midst of a struggle that resulted in beatings, arrests, imprisonment and the deaths of his comrades he produced a steady flow of artwork that in the words of Amiri Baraka, “functioned as if you were in the middle of a rumble and someone tossed you a machine pistol… it armed your mind and your demeanor”.

In the early day, with the publication of each paper his images were fly posted throughout the Bay area. They were intended to educate and inspire people to action, to draw people into the breakfast programmes and the anti-imperialist struggles. One thing is for sure, his depictions of the police as Pigs made him a prime target.

The book is skillfully and lovingly edited by Sam Durrant. Emory’s work is, by today’s standards, lo-fi and, in my opinion, all the better for it. Like the artwork of Lemi Ghariokwu, who did Fela’s album covers, the hands-on nature of its production adds to its immediacy and physical power. These pieces exude urgency, insight, anger, pride and a total disdain for the power structure. And there are a lot of them.

The words commissioned from Bobby Seale, Kathleen Cleaver, Danny Glover and Amiri Baraka amongst others, illuminate the context in which this reputedly quiet man but fiercely talented man emerged. Emory Douglas’ weapons were pens, pencils, biros, markers, screen prints and as the Panther era is reappraised within history it is fitting that his art is deemed as significant as the pump action shotguns that appeared when these African American citizens took up their constitutional rights to bear arms.

In 2011, I give thanks for the revolutionary art of Emory Douglas and its continuing resonance in a world that suffers from the same ills and remains a turbulent and murderous place.

Emory Douglas

The Book!

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SHOTTSMAN comes with ‘TWO BIG SOUND: 7 Nights a Week!

Not too long ago I couldn’t resist the temptation to swing by a rare sound system clash at Brixton Town Hall featuring Sir Coxsone Outernational and Saxon Studio.

As a one time ardent follower of Coxsone sound I stepped into the dance with a little trepidation as it could never live up to those super sonic clashes when both sounds were at their peak. I was surpised to see Coxsone running tunes off burnt CDs but hearing Burning Spear on sound again was indeed a joyful moment. Lloydie Coxsone’s invocation on the mic urging one and all to respect the no smoking ban was hilarious especially as he commenced blazing the herb upon completion. It had been a long time since I’d stood up in that legendary hall and I, along with most of the man there, was a couple of decades older. There were many familiar faces in the dance and I wasn’t surprised when the man called IG Culture appeared from the ranks of Saxon Studio filming the set.

Sir Coxsone Outernational: Blacker, Festus, Bikey… /Photography: Jean Bernard Sohiez

Saxon Studio:International: The posse!  Photography:  Anna Arnone ©

That footage is now seeing light of day via and the Shottsman and Holy Roller who present TWO BIG SOUND, Part One: Seven Nights a Week.

This 25 minute film is dedicated to the memory of Smiley Culture, one of the UK’s Finest Pioneer MC Lyricists. The WORD from the Holy Roller:

“TWO BIG SOUND revisits the ‘platinum era’ of the UK sound system in which two sounds ruled, The mighty Saxon Studio sound and the legendary Sir Coxsone sound.
This film is a ruff cut history lesson with a difference, it is by no means the bible of the UK sound system, It doesn’t cover every facet of the sound system UK history, nor does it follow a timeline or chronology. What Two Big Sound does do, is uncover subjects rarely heard about in Black UK music history.

The film takes an earthy look into the lives and music passion of some of the pioneers within the Saxon and Coxsone massive, they who lived and breathed and affected sound system culture from the UK, Jamaica and the rest of the Reggae world.

Dancehall greats featured include; Trevor Sax, Jah Screechie, Levi Roots, Tippa Irie, Snr San, Jah Prento, Blacka Dread, Daddy Kernal, Philip Levi, Echo Minott, and Chris Peckings.”


Check it now on http://holyrollerproductions.com/projects/two-big-sound-seven-nights-a-week/

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